Cone 06 oxidation (first image): Lettuce Alone is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color slightly lightens.
Cone 06 oxidation (first image): Butter Me Up is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color slightly lightens.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Brown Cow is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color slightly lightens.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image):Blueberry Hill is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color Changes to SC-53 Purple Haze.
Cone 10 reduction (third image)
Cone 06 oxidation (larger image): Army Surplus is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (smaller image): Opaque. Streaky with brown and green striations
Cone 10 Reducution (third image)
Cone 06 oxidation (first image): Ivory Tower is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color slightly lightens.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Gray Hare is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color slightly darkens.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Down to Earth is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Fruit of the Vine is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color slightly lightens.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Bluebeard is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Blue Grass is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Streaky. Color slightly moves.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Dandelion is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Transparent. Color lightens to a light SC-42 Butter Me Up.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Sunkissed is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color slightly lightens.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Tiger Tail is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color fades to a light olive green.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Melon-choly is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Solid Coverage. Color slightly darkens.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Tu Tu Tango is a heavily pigmented, viscous Stroke & Coat® glaze with yellow, blue and green specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Orange-A-Peel is a heavily pigmented, viscous Stroke & Coat® glaze with white and brown specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color slightly lightens. Specks bleed.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Pink-A-Dot is a heavily pigmented, viscous Stroke & Coat® glaze with blue specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color slightly lightens. Specks bleed.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Silver Lining is a heavily pigmented, viscous Stroke & Coat® glaze with red and black specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Transparent. Color turns medium blue. Specks blur and bleed.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Purple Haze is a heavily pigmented, viscous Stroke & Coat® glaze with blue specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color slightly lightens. Specks bleed.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled The Blues is a heavily pigmented, viscous Stroke & Coat® glaze with blue specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Teal Next Time is a heavily pigmented, viscous Stroke & Coat® glaze with white specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Jaded is a heavily pigmented, viscous Stroke & Coat® glaze with yellow, orange and blue specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color lightens to medium brown. Specks remain.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Sunkissed is a heavily pigmented, viscous Stroke & Coat® glaze with maroon specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
An extremely striking patterned glaze. Smooth surface, metallic dark and light copper/bronze color. Can give the appearance of a new penny on the background of an old penny. Best with medium application.
A spectacular metallic, iridescent glaze that produces a myriad of colors including: maroon, gold silver, blue, red and copper. Best when applied medium to thick. Observations by Cindy Bracker when using this glaze: "I was blown away by the deep blue-greens blending into yellows, and subtle golden metallics that edge toward magenta & purple when reduced in Excelsior. With leaves as the reduction material, dark greens edging toward silvery-metallic was predominant, while the sawdust provided more of the results I expected – flashy copper metallic with the deep purple and blue iridescent tones. Laguna’s R-13 Copper has earned itself a spot in my regular repertoire of Raku glazes."
Glenda Taylor loved bright colors and she loved Mason Stains. The 1/4# bag price for this stain is 20% off in honor of Glenda for the month of July, 2015.
Read more about Glenda's Rainbow here.
Composition and Reference Numbers for Mason Stain 6206 Grass Green COMPOSITION: Ca Cr Si Zr -- REFERENCE NUMBERS: 3, 5, 9
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Composition and Reference Numbers for Mason Stain 6368 Copen Blue COMPOSITION: Al Co Si Zn -- REFERENCE NUMBERS: 1, 3, 6
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Composition and Reference Numbers for Mason Stain 6207 Celeste COMPOSITION: Cr Co Si Zn -- REFERENCE NUMBERS: 1, 3, 6
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Composition and Reference Numbers for Mason Stain 6201 Celadon Green COMPOSITION: Al Co Cr Si Zn -- REFERENCE NUMBERS: 1, 3, 6, 8
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Composition and Reference Numbers for Mason Stain 6129 Golden Ambrosia COMPOSITION: Al Cr Fe Zn -- REFERENCE NUMBERS: 3, 6, 7
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Cone 06 oxidation (first image): Lavendear is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Just Peachy is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Cant-elope is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 Reduction (third image)
