Cone 06 oxidation (first image): Tiger Tail is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color fades to a light olive green.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Tu Tu Tango is a heavily pigmented, viscous Stroke & Coat® glaze with yellow, blue and green specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Orange-A-Peel is a heavily pigmented, viscous Stroke & Coat® glaze with white and brown specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color slightly lightens. Specks bleed.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Silver Lining is a heavily pigmented, viscous Stroke & Coat® glaze with red and black specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Transparent. Color turns medium blue. Specks blur and bleed.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled The Blues is a heavily pigmented, viscous Stroke & Coat® glaze with blue specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Jaded is a heavily pigmented, viscous Stroke & Coat® glaze with yellow, orange and blue specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color lightens to medium brown. Specks remain.
Cone 10 reduction (third image)
An extremely striking patterned glaze. Smooth surface, metallic dark and light copper/bronze color. Can give the appearance of a new penny on the background of an old penny. Best with medium application.
A spectacular metallic, iridescent glaze that produces a myriad of colors including: maroon, gold silver, blue, red and copper. Best when applied medium to thick. Observations by Cindy Bracker when using this glaze: "I was blown away by the deep blue-greens blending into yellows, and subtle golden metallics that edge toward magenta & purple when reduced in Excelsior. With leaves as the reduction material, dark greens edging toward silvery-metallic was predominant, while the sawdust provided more of the results I expected – flashy copper metallic with the deep purple and blue iridescent tones. Laguna’s R-13 Copper has earned itself a spot in my regular repertoire of Raku glazes."
Glenda Taylor loved bright colors and she loved Mason Stains. The 1/4# bag price for this stain is 20% off in honor of Glenda for the month of July, 2015.
Read more about Glenda's Rainbow here.
Composition and Reference Numbers for Mason Stain 6206 Grass Green COMPOSITION: Ca Cr Si Zr -- REFERENCE NUMBERS: 3, 5, 9
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Composition and Reference Numbers for Mason Stain 6368 Copen Blue COMPOSITION: Al Co Si Zn -- REFERENCE NUMBERS: 1, 3, 6
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Composition and Reference Numbers for Mason Stain 6207 Celeste COMPOSITION: Cr Co Si Zn -- REFERENCE NUMBERS: 1, 3, 6
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Composition and Reference Numbers for Mason Stain 6201 Celadon Green COMPOSITION: Al Co Cr Si Zn -- REFERENCE NUMBERS: 1, 3, 6, 8
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Composition and Reference Numbers for Mason Stain 6129 Golden Ambrosia COMPOSITION: Al Cr Fe Zn -- REFERENCE NUMBERS: 3, 6, 7
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Cone 06 oxidation (first image): Lavendear is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Just Peachy is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Cant-elope is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): A heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color slightly lightens.
Cone 10 Reduction (third image)
Cone 06: Tuscan Red is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze. Cone 6: Opaque. Color slightly darkens.
Cone 06 oxidation (first image): It’s Sage is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color slightly darkens.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Glo-Worm is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Cara-bein Blue is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. No color change.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Orange-A-Peel is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (larger image): Hot Tamale is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (smaller image): Semi-Transparent. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Candy Apple Red is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Silvering Lining is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color No change.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Camelback is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color lightens to a caramel brown.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): My Blue Heaven is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image):Semi-Transparent. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Irish Luck is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): The Blues is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Blue Dawn is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Transparent. Color lightens to SC-65 Peri-Twinkle.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Blue Isle is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color slightly lightens.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Sour Apple is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 (second image): Semi-Transparent. Color slightly lightens to SC-78 Lime Light.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Green Thumb is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color slightly lightens.
Cone 10 reduction (third image)
