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A deep blue with a smooth, glossy surface. As easy to use as it is beautiful, Almost Teal is one of the most popular starting points for glaze combinations. Great for beginners and advanced potters alike.
A translucent brown with mesmerizing rivulets, Ancient Iron can display a dazzling array of colors. Under the right circumstances, amber, coffee, purple and blue tones can show across a surface, and gold crystals can even form in the areas where the glaze cools slowest.
Fantasy Glazes can vary dramatically in appearance depending on the clay body used, the thickness of application, and in some cases, the firing. They can be runny, so it's important to test carefully.
Experience the mesmerizing beauty of the Andromeda 176 Coyote Cone 6 Glaze. Its deep blue-green color, with hints of brown, creates a stunning and unique appearance. When slow-cooled, it forms cool gold crystals, adding a touch of elegance to your pottery. Elevate your pieces with this must-have glaze!
Experience the magic of the night sky with Antares 175 Coyote Cone 6 Glaze. This unique glaze features a mesmerizing blue hue with hints of shimmer and brown undertones, reminiscent of a stunning constellation. Add a touch of celestial beauty to your pottery with this one-of-a-kind glaze.
Fantasy Glazes can vary dramatically in appearance depending on the clay body used, the thickness of application, and in some cases, the firing. They can be runny, so it's important to test carefully.
A satiny color with a wonderfully unusual finish, soft to the touch but hard against cutlery marking. Apricot is one of the most popular of our Enduro-Color line, a warm stony pink perfect for dishes or tiles.
A gentle, translucent blue-green color, similar to a traditional celadon. Easy to apply and reliable.Frank's Colored Celadons are a beautiful series of translucent glazes. Because they can be seen through, they are perfect for work with fine details or carving, or as an alternative to clear for ware with underglaze. They do not run and look great on their own or combined with other glazes.
Experience the magic of Aquilla 177 Coyote Cone 6 Glaze! This slow-cool glaze creates mesmerizing blue and purple tones, with hints of brown and crystalline textures. Delve into a starry constellation and bring your pottery to life. Grab Aquilla 177 for out-of-this-world results!
The glorious and mesmerizing Archie's base is a delicate blend of pale pink and creamy hues, but truly comes alive when mixed with other glazes. Its transformative properties create stunning new patterns and enhance the colors of other glazes.
Unlock the beauty of the night sky with Aries 179 Coyote Cone 6 Glaze. The green and gold shimmer of this constellation glaze will add a touch of celestial magic to your ceramic pieces. Let your creativity soar with Aries!
Experience the warm, inviting tones of our Autumn Spice 170. This stunning bronze, brown, and cream palette features a shimmering finish that will add an opulent touch to any look. Part of Coyote's popular Constellation series, this palette will elevate your glaze game!
A deep striking blue that cascades over texture, Azure Dream is the most popular Fantasy glaze with our own students and studio members. Pots covered in this glaze have a way of stopping people in their tracks.
Fantasy Glazes can vary dramatically in appearance depending on the clay body used, the thickness of application, and in some cases, the firing. They can be runny, so it's important to test carefully.
Birch is one of the Texas Two Step Overcoats, and can be layered with Licorice, Coffee Bean, or Brick Red to produce an oilspot effect. It can also be used on its own for a slightly mottled, neutral color.
A much requested late addition to our Crawl Series, Black Crawl is a charcoal-colored glaze with a unique crackle pattern.
The crawl glazes usually need several brushed coats. Apply a coat or two and let dry; repeat just until it you see some surface cracks starting to form on the piece when it's dry. If it starts to curl up and look like a dried up lake bed it is on too thick, it will probably flake and fall off. Where the glaze is thicker, the crawl size is larger. Where thinner, the crawl size is smaller. Not recommended for food use. A textured, dry matt surface.
An exciting, exotic glaze that sometimes changes from blue to green depending on where it is placed in the kiln. Ideal for adding detail to sculptures, or as an unusual finish for non-functional ware.
The crawl glazes need several coats brushing. Apply glaze until it just starts to crack on the piece when dry, like a dried-up lakebed, but not so thick that it flakes off of the piece. Where the glaze is thicker, the crawl size is larger. Where thinner, the crawl size is smaller. Not recommended for food use. A textured, dry matt surface.
A soft blue that can sometimes be yellowish-brown when thin. Perfect for nearly any non-functional ware, this glaze absorbs light in a striking way and feels warm and dry to the touch.
Single dip (2-3 coats brushed) Fairly stable, light blue where thick, yellowish brown where thin. Not recommended for food use, may change color or texture. A matt surface.
Blue Moon is one of the Texas Two Step Overcoats, meaning it can be layered with Licorice, Coffee Bean, or Brick Red to produce an oilspot effect. It is also a beautiful soft blue on its own, making it suited to decorative and functional ware.
Explore the captivating hues of pale blue and soft lavender in this stunning piece, adorned with beautiful blue crystals. Every firing reveals a unique and mesmerizing display of these colors, while a slow cool brings forth an explosion of crystals.
Dark blue where thick, reddish-brown where thinner. A rich glaze that looks great over texture or combined with other glazes. Contrasts great with bright colors like Buttercup.
Single dip (2-3 coats brushed) Fairly stable, medium blue where thick, breaks to black/brown over texture and where thin. A glossy surface.
A deep, solid red. Great on its own as a base or accent color, the Brick Red is a Texas Two-Step undercoat, and will create oilspot effects when covered with one of the overcoats.
A dramatic glaze that emulates the look of a gas-fired temmoku when used on a red clay, but produces a beautiful shimmering bronze on white clays. Also looks great combined with the gloss or satin glazes.
Single dip (2-3 coats brushed) Stable, combines well with other glazes, especially the satins. Metallic bronze, breaking to black where thinner. Becomes much darker when there is more iron in the clay body.
A bright, cheerful yellow. Perfect as an accent color, or as a contrasting layer to dark colors like Blue Shino or Espresso Bean.
Single dip (2-3 coats brushed) Very stable, no running, no breaking. A glossy surface. Contains cadmium inclusion stain, food safe in our testing.
A neutral tone that breaks to dark brown over texture, and produces a marvellous furred pattern over Gloss glazes. A great glaze for adding warmth to textured pieces.
Single dip (2-3 coats brushed) Stable, no running, breaks brown to orange over texture and where thin. Nice over texture, slips, underglazes and other glazes. Contains cadmium inclusion stain, food safe in our testing. A glossy surface.
A muted green that can add a unique look to any decorative ware. Cactus Crawl has an unusual but natural look, making it great for fountains and other outdoor features.
The crawl glazes need several coats brushing. Apply glaze until it just starts to crack on the piece when dry, like a dried-up lakebed, but not so thick that it flakes off of the piece. Where the glaze is thicker, the crawl size is larger. Where thinner, the crawl size is smaller. Not recommended for food use. A textured, dry matt surface.
A deep mottled green, suitable for functional ware. Cactus Green will sometimes cause the glazes in the Archie's series to flash bright pink, making it an exciting choice for combinations.The Mottled Series are designed to produce beautiful variegated colors with ease. Simple to apply and suitable for all types of ware, these colors are stunning on their own or combined with other glazes. They may appear thick in the jar and should be applied thick.
Single dip (2-3 coats brushed) Fairly stable, some running, some breaking. A glossy surface.
A variegated reddish-brown that breaks over texture. Often attains a lacquer-like finish, but can turn glossy pink where thickest. Beatiful with Black.
Single dip (2-3 coats brushed) Fairly stable, no running, breaks brown to orange over texture and where thin. Pinkish red color where thicker. Nice over texture, slips, underglazes and other glazes. Try it over black, really red, etc. A glossy surface. Contains cadmium inclusion stain, food safe in our testing.
A deep blue that absorbs the light and draws the eye. Cerulean Satin works great on its own, and looks even better under Bronze Temmoku or Archie's Base.
A chocolate brown glaze with a rough, irregular texture, similar to tree bark.
The crawl glazes need several coats brushing. Apply glaze until it just starts to crack on the piece when dry, like a dried-up lakebed, but not so thick that it flakes off of the piece. Where the glaze is thicker, the crawl size is larger. Where thinner, the crawl size is smaller. Not recommended for food use. A textured, dry matt surface.
