Cone 06 oxidation (first image): 501 Blues is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. No color change.
Cone 10 Reduction (third image)
Cone 6: Abalone is formulated to produce a breaking white and mauve semi-gloss glaze. Light applications will produce a more white semi-gloss finish. Use three+ coats to achieve semi-gloss Abalone finish. Clay body characteristics will be visible through this glaze. Cone 10: Color darkens to purple.
Cone 6: Alabaster is a semi-opaque white soft matte glaze that breaks over texture.
Cone 10: Color darkens to variegated light gray/purple.
TIP: When using this glaze, you will be able to pick up the characteristics of the clay body due to it’s white semi opaque finish. Combos really well with 2 coats of stroke and coat on top. It has a satin finish. If you like combos with Sea Salt, you will get similar results with Alabaster minus the crystals.
Cone 06 oxidation (first photo): Alligator is an opaque, matte green base glaze with glossy green and yellow crystals.
Cone 6 oxidation (second photo): Base glaze loses opacity and changes to blue/green with a gloss finish – crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 6 oxidation:Amaryllis is a glossy, transparent, coral glaze with crystals in varying sizes that bloom into shades of brown, yellow, and orange.
Cone 10 reduction: Glaze fades to a transparent pink. Crystals soften. Glaze remains stable.
TIP: -SW-205 Coral is the base glaze. For a lighter crystal affect, apply 1 coat of SW-192 Amaryllis over 2 coats of SW-205 Coral. This glaze is stable, even with heavy application.
Cone 06 oxidation (first photo): Amber Ash is a glossy, honey colored glaze with black specks. It has an orangish brown stain. Transparent at three coats.
Cone 6 oxidation (second photo): Color darkens to a variegated gold/brown/blue that breaks over texture and pools blue. Enhanced mobility. Surface issues may occur.
TIP: This glaze WILL move. Take care when using on vertical pieces reduce glaze thickness towards the bottom third to minimize run-off. Overglaze compatible.
Cone 6: Amber Quartz is a warm amber matte glaze that adds accents of tan and brown. The variation of the glaze is dependent on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent where thinner and pool darker around surface textures. Cone 10: Glossy purple/blue is more prominent.
Cone 6: Amber Topaz provides a translucent, light honey-blonde color. Designed to provide a hint of color with one coat, deeper color with two to three coats - but remaining translucent. Cone 10: Color changes to a transparent brown. TIP: One coat allows more of the clay body characteristics to appear through the glaze, adding a faint color gloss to the surface. Subsequent coats deepen the amber color but at three coats you will still obtain a translucent fired surface. Three+ coats will produce more opacity and less translucency. Heavy application may increase the incidence of crazing.
Cone 6: Antique Brass is a soft matte, metallic brass glaze that breaks charcoal. Cone 10: Brass finish becomes brighter and more metallic. Increased movement.
Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss off-white finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): Color slightly lightens. Breaks over texture.
Cone 06 oxidation (first photo): Apple Green will fire matte without addition of a clear glaze. To intensify color or for use on dinnerware, apply clear or matte clear glaze.
Cone 6 oxidation (second photo): Color concentration occurs. Recommended clear glaze is SW-001 Stoneware Clear.
Cone 10 reduction (third image): Color shifts more blue. Recommended clear glaze is SW-001 Stoneware Clear.
Cone 06 oxidation (first photo): Apricot will fire matte without addition of a clear glaze. To intensify color or for use on dinnerware, apply clear or matte clear glaze.
Cone 6 oxidation (second photo): Color slightly darkens. Recommended clear glaze is SW-001 Stoneware Clear.
Cone 10 reduction (third image): No change. Recommended clear glaze is SW-001 Stoneware Clear.
Cone 06 oxidation (first image): Aqu-ward is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color Slightly lightens.
Cone 10 Reduction (third image)
Cone 6 results: Aqua Gloss is a highly-pigmented, gloss glaze. The highly stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temperatures.
Cone 10 reduction: Color shifts to baby blue. Remains stable.
Tip: Can be mixed with other Stoneware Gloss glazes (SW500 series) to produce additional stable and opaque colors. Layer design work with other Stoneware Gloss series colors to create crisp images that won’t blur or require clear glaze.
AP Non Toxic and Dinnerware Safe
Cone 06 oxidation (first photo): Aquamarine will fire matte without addition of a clear glaze. To intensify color or for use on dinnerware, apply clear or matte clear glaze.
Cone 6 oxidation (second photo): Color darkens. Recommended clear glaze is SW-001 Stoneware Clear.
Cone 10 reduction (third image): Color shifts blue and slightly darkens. Recommended clear glaze is SW-001 Stoneware Clear.
Cone 06 oxidation (larger image): Army Surplus is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (smaller image): Opaque. Streaky with brown and green striations
Cone 10 Reducution (third image)
Cone 06 oxidation: Matte grey with black and white crystals
Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 10 reduction: Base becomes glossy and color turns blueish grey; crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 6: Aurora Green produces a mottled aqua gloss glaze with light brown and large black crystals. As the crystals melt, bursts of blue and brown will develop. Cone 10: Color changes to a variegated pink/blue/green. Crystals become less pronounced. TIP: SW-108 Green Tea is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-108 Green Tea with a third coat of SW-146 Aurora Green. Due to the large sized crystals in Aurora Green they often reside in the bottom of the glaze; be sure to stir well or pour the glaze out onto a plate to make them more accessible.
Cone 06 oxidation (first photo): Autumn is a glossy, variegated yellowish orange glaze with an orangish brown stain. Semi-Transparent at three coats.
Cone 6 oxidation (second photo): Color changes to a dark brown/red/gold that breaks over texture. Enhanced mobility. Surface issues may occur.
TIP: Will not move with three coats. Will craze with three coats. Overglaze compatible.
Cone 6: Azurite is a soft matte, cobalt blue glaze that will pool dark and glossy and break a light brown. Cone 10: Color changes to green where thin/breaking and remains dark blue where thick/pooling. Increased movement. Tip: This glaze can be very mobile; Recede coats to avoid run off on vertical pieces and practice caution in combination. Note: Not recommended for dinnerware due to surface durability.
Cone 06 oxidation (first photo): Baby Blue will fire matte without addition of a clear glaze. To intensify color or for use on dinnerware, apply clear or matte clear glaze.
Cone 6 oxidation (second photo): Color concentration occurs. Recommended clear glaze is SW-001 Stoneware Clear.
Cone 10 reduction (third image): Color concentration occurs. Recommended clear glaze is SW-001 Stoneware Clear.
Cone 06 oxidation (larger image): Baskeball is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (smaller image): Opaque. No color change.
Cone 10 Reduction (third image)
one 06 oxidation (first photo): Barry Tart is a semi-translucent pink base glaze with red, purple, and white crystals.
Cone 6 oxidation (second photo): Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (first photo): Berryberry Pie is a translucent purple base glaze with blue crystals that bloom and a variety of blue specks.
Cone 6 oxidation (second photo): Base glaze fades completely – crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss sky blue finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): No color change. Breaks over texture.
Cone 6: Birch is a creamy opaque off-white glaze that breaks brown. Cone 10: Cream color remains and brown undertones darken. TIP: The thinner the the application, the more amber the glaze will be. The thicker the application, the more white floating you will get.
Cone 06 oxidation (first photo): Black Adventurine is a matte, mottled black and metallic dark copper glaze.
Cone 6 oxidation (second photo): Color changes to a glossy, metallic black/gray that breaks over texture. Enhanced mobility. Surface issues may occur.
TIP: This glaze WILL move. Take care when using on vertical pieces reduce glaze thickness towards the bottom third to minimize run-off. Not overglaze compatible.
Cone 6 oxidation (larger image): Black Engobe fires matte black. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss black finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): No color change.
Cone 6: Black Gloss is a highly-pigmented true black gloss glaze. The stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temperatures. Glaze turns to satin gloss at cone 5 and high gloss at cone 6.
Cone 10: Exhibits some blue hues.
Cone 06 oxidation (first photo): Black Ice is a glossy, metallic black glaze.
Cone 6 oxidation (second photo): Color remains and develops an iridescent finish. Enhanced mobility. Surface issues may occur.
TIP: This glaze WILL move. Take care when using on vertical pieces reduce glaze thickness towards the bottom third to minimize run-off. Not overglaze compatible.
Cone 06 oxidation (first photo): Black Iris is an opaque black base glaze with a variety of golden/yellow/brown crystals.
Cone 6 oxidation (second photo): Base glaze remains – crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 6: Black Matte is formulated to produce a smooth matte surface. Light coats will allow clay body characteristics to appear through the glaze (especially on dark and speckled clay bodies). Cone 10: Color darkens. TIP: A true matte finish at cone 5/6 with no movement. Thicker application, three or more coats, will produce a more opaque finish.
Cone 06 oxidation (first image): Black Opal is an opaque black base glaze with large red crystals.
Cone 6 oxidation (second image): Base glaze remains – crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 6 results: Black Timber is a satin, opaque, mottled brown glaze that breaks over texture. Contains glossy brown crystals. Base color is stable, crystals can create movement.
Cone 10 reduction: Color becomes darker metallic, crystals flow more. Light application recommended.
Tip: Upon opening, crystals will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use. Crystals can create movement. Avoid having a heavy concentration of crystals near the bottom of your piece. When storing a crystal glaze, you may consider storing upside down to make crystal more accessible.
