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Composition and Reference Numbers for Mason Stain 6153 Seal Brown COMPOSITION: Cr Fe Mn Zn -- REFERENCE NUMBERS: 3, 6, 7
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Composition and Reference Numbers for Mason Stain 6666 Cobalt-free Black COMPOSITION: Cr Fe Mn -- REFERENCE NUMBERS: 3, 5
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Cone 06 oxidation (first image): Dandelion is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Transparent. Color lightens to a light SC-42 Butter Me Up.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Sunkissed is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color slightly lightens.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Melon-choly is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Solid Coverage. Color slightly darkens.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Sunkissed is a heavily pigmented, viscous Stroke & Coat® glaze with maroon specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
An extremely striking patterned glaze. Smooth surface, metallic dark and light copper/bronze color. Can give the appearance of a new penny on the background of an old penny. Best with medium application.
A spectacular metallic, iridescent glaze that produces a myriad of colors including: maroon, gold silver, blue, red and copper. Best when applied medium to thick. Observations by Cindy Bracker when using this glaze: "I was blown away by the deep blue-greens blending into yellows, and subtle golden metallics that edge toward magenta & purple when reduced in Excelsior. With leaves as the reduction material, dark greens edging toward silvery-metallic was predominant, while the sawdust provided more of the results I expected – flashy copper metallic with the deep purple and blue iridescent tones. Laguna’s R-13 Copper has earned itself a spot in my regular repertoire of Raku glazes."
Glenda Taylor loved bright colors and she loved Mason Stains. The 1/4# bag price for this stain is 20% off in honor of Glenda for the month of July, 2015.
Read more about Glenda's Rainbow here.
Composition and Reference Numbers for Mason Stain 6206 Grass Green COMPOSITION: Ca Cr Si Zr -- REFERENCE NUMBERS: 3, 5, 9
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Cone 06: Tuscan Red is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze. Cone 6: Opaque. Color slightly darkens.
Composition and Reference Numbers for Mason Stain 6207 Celeste COMPOSITION: Cr Co Si Zn -- REFERENCE NUMBERS: 1, 3, 6
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Composition and Reference Numbers for Mason Stain 6368 Copen Blue COMPOSITION: Al Co Si Zn -- REFERENCE NUMBERS: 1, 3, 6
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Composition and Reference Numbers for Mason Stain 6201 Celadon Green COMPOSITION: Al Co Cr Si Zn -- REFERENCE NUMBERS: 1, 3, 6, 8
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Composition and Reference Numbers for Mason Stain 6129 Golden Ambrosia COMPOSITION: Al Cr Fe Zn -- REFERENCE NUMBERS: 3, 6, 7
REFERENCE CHART 1 Can be used as a body stain at high temperatures. 1a Use as a body stain only. 2 Maximum temperature - 2156° F. 3 Maximum temperature - 2300° F. 4 Maximum temperature - 1976° F. 5 Do not use zinc in glaze. 6 May be used with or without zinc. 7 Zinc not necessary, but gives better results. 8 Best results with no zinc. 9 Glaze must contain 12% to 15% calcium carbonate. COMPOSITION CHART Al Aluminum oxide B Boric oxide Ca Calcium carbonate Cd Cadmium Co Cobalt oxide Cr Chromium oxide Fe Iron oxide Mn Manganese dioxide Ni Nickel oxide Pr Praseodymium oxide Sb Antimony oxide Si Silicon dioxide Sn Tin dioxide Ti Titanium oxide V Vanadium Zn Zinc oxide Zr Zirconium dioxide
Cone 06 oxidation (first image): Grape Expectations is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-transparent. Color turns blue.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Lavendear is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Just Peachy is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Spruce It Up is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Makin Me Blush is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Char-ming is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color slightly darkens.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Slime Time is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color turns dark green.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Cant-elope is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Aqu-ward is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color Slightly lightens.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Pinkie Swear is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Transparent. Color Drastically lightens.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Honeydew List is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Café Ole is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color slightly lightens.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Seabreeze is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Elephant Ears is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Cutie Pie Coral is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Tu Tu Tango is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Ruby Slippers is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
