Engobes are a great option for those who want the look of other clay bodies but don’t want to add another clay to their studio because of contamination or messy clean-up. With only two coats, Engobe can transform a red clay body into white or a white clay body into black, allowing you to have the look of a different clay body every day of the week! Apply to wet clay, greenware or bisque, and fire from cones 5-10.
Cone 6 oxidation (larger image): Black Engobe fires matte black. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
$15.25
Cone 6 oxidation (larger image): Brick Red Engobe fires matte red/brown. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve v in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
$15.25
Cone 6 oxidation (larger image): Dark Brown Engobe fires matte brown. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
$15.25
Cone 6 oxidation (larger image): Speckled Buff Engobe fires matte ivory with brown speckles. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve v in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
$15.25
Cone 6 oxidation (larger image): White Engobe fires matte white. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve variability in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
$15.25
Engobes are a great option for those who want the look of other clay bodies but don’t want to add another clay to their studio because of contamination or messy clean-up. With only two coats, Engobe can transform a red clay body into white or a white clay body into black, allowing you to have the look of a different clay body every day of the week! Apply to wet clay, greenware or bisque, and fire from cones 5-10.
Engobes are a great option for those who want the look of other clay bodies but don’t want to add another clay to their studio because of contamination or messy clean-up. With only two coats, Engobe can transform a red clay body into white or a white clay body into black, allowing you to have the look of a different clay body every day of the week!
Engobes can be complementary with layering and glaze combinations. Engobes impact glaze results when used as a base and tend to influence the flow of glazes. We recommend 2 coats of each glaze. Engobes eliminate glaze issues that are typical of darker clay bodies. Apply to wet clay, greenware, or bisque, and fire to preferred temperature; cone 5-10 (2167°F-2345°F / 1186°C-1285°C). SEE MORE
Stir well. Using a soft fan brush, apply 2-3 coats to wet clay, greenware or soft fired, cone 04 bisque (1940°F/1060°C). Allow the glaze to dry between each coat. If desired, apply 2-3 coats of another glaze overtop. Fire to preferred temperature; cone 5-10 (2167°F-2345°F / 1186°C-1285°C).
The Engobes will not stick to kiln shelves when 2 coats are applied, heavier application may cause the glaze to flux. Results can vary based on the kiln wash you have applied to your shelves. Testing is recommended.
”To scratch” in Italian, sgraffito is produced by applying two layers of Engobes and 2-3 coats of another glaze and carving through the glaze to create depth and add contrast to your designs. An impactful and dramatic way to use Engobes in your studio.
Engobes are incredibly stable and opaque in design work and work well in a variety of design techniques such as majolica silkscreening marbling, and wax resist. The integrity of your design will remain unchanged as engobes will not move or combine with surrounding colors.
The engobes will not stick to kiln shelves when 2 coats are applied, heavier application may cause the glaze to flux. Results can vary based on the kiln wash you have applied to your shelves, so we suggest testing before use.
Mix Engobes to create something new; use brushstrokes to blend colors and create shading; layer them without concern of intermixing – great for Majolica – add thin lines and details with confidence as Engobes will NOT move.
The Food and Drug Administration (FDA) issues a series of Compliance Policy Guides (CPG) that explain policy on regulatory issues related to the FDA laws or regulations, primarily “Food Safe”. Specific to ceramic products and supplies:
“Food safe” seems to be one of the most confusing concepts for ceramic studios. It can be used differently among manufacturers, which lends to the confusion. There are some dissimilarities in how we ceramic manufacturers use definitions of food safe, dinnerware safe and other safety related information. Following is Mayco’s approach:
The AP (Approved Product) Seal identifies art materials are certified in a toxicological evaluation by a medical expert to contain no materials in sufficient quantities to be toxic or injurious to humans, including children, or to cause acute or chronic health problems as a wet glaze. Such products are certified by ACMI to be labeled in accordance with the chronic hazard labeling standard, ASTM D 4236, and the U. S. Labeling of Hazardous Art Materials Act (LHAMA).
The CL (Cautionary Labeling) Seal identifies products that are certified to be properly labeled in a program of toxicological evaluation by a medical expert for any known health risks and with information on the safe and proper use of these materials as a wet glaze. CL products are NOT suitable for children 12 and under.
Products bearing the Certified Non-Toxic seal have been reviewed by a toxicologist & deemed to have no health risk associated with the proper use of the product.
Products bearing the Food Safe icon have been regulation and defined by the Compliance Policy Guide, maintained by the FDA. We have conducted testing on the individual glaze (or similar in formulation), which has passed standards for food safety when used according manufacturer’s direction.
Glazes identified with the Dinnerware Safe icon indicate the fired surface meets the FDA guidelines for food safe and is suitable for use on dinnerware.
Glazes identified with this version of the Dinnerware Safe icon indicate the fired surface is NOT safe for use on dinnerware.
Glazes identified with this version of the Dinnerware Safe icon indicate the fired surface is safe for use on dinnerware after a clear glaze or other dinnerware safe glaze is applied and fired.
