Coyote's newest glazes work in combination to create dramatic effects. Individually, they behave similarly to the Gloss Glazes, but they are divided into Undercoats and Overcoats. Layering Overcoats and Undercoats together creates oilspots that are unlike anything else available today! Several color options mean lots of possible combinations, so your work is sure to stand out.
Birch is one of the Texas Two Step Overcoats, and can be layered with Licorice, Coffee Bean, or Brick Red to produce an oilspot effect. It can also be used on its own for a slightly mottled, neutral color.
$15.80 - $204.80
Blue Moon is one of the Texas Two Step Overcoats, meaning it can be layered with Licorice, Coffee Bean, or Brick Red to produce an oilspot effect. It is also a beautiful soft blue on its own, making it suited to decorative and functional ware.
$17.00 - $228.30
A deep, solid red. Great on its own as a base or accent color, the Brick Red is a Texas Two-Step undercoat, and will create oilspot effects when covered with one of the overcoats.
$29.00 - $488.90
Clementine is a bright orange that adds a warm pop to any palette. It is also a Texas Two Step Overcoat, which can be layered with one of the six Two Step Undercoats to produce an oilspot effect.
$21.40 - $328.10
When covered by one of the Texas Two-Step overcoats, Coffee Bean produces the series signature oilspots. When used on its own, it is a darkly mottled brown, with a look similar to leather.
$15.00 - $145.50
A bright sea green. Great on its own as a base or accent color, the Fern is a Texas Two-Step undercoat, and will create oilspot effects when covered with one of the overcoats.
$17.60 - $248.00
A Texas Two-Step undercoat, designed to be used with the overcoats for oilspots. On its own, it is a mottled glossy black.
$16.10 - $211.30
Marshmallow is one of the Texas Two Step Overcoats, meaning it can be layered with Licorice, Coffee Bean, or Brick Red to produce an oilspot effect. On its own, it is a glossy off-white, somewhere between Eggshell and Creamy Matt.
$15.60 - $198.90
A deep dark purple. Great on its own as a base or accent color, the Mulberry is a Texas Two-Step undercoat, and will create oilspot effects when covered with one of the overcoats.
$19.60 - $291.20
Sea Mist is one of the Texas Two Step Overcoats, meaning it can be layered with Licorice, Coffee Bean, or Brick Red to produce an oilspot effect. When used alone, it is a mottled blue-green that can develop pale spots on its own.
$16.60 - $220.00
Texas Rose is a lovely reddish pink, with an interesting mottling to the surface that can only be seen up close. It is also a Texas Two Step Overcoat, which can be layered with Licorice, Coffee Bean, or Brick Red to produce an oilspot effect.
$23.60 - $367.70
Oil spot glazes at cone 10 have provided some of the most striking and unique finishes in ceramics. Now, Coyote Texas Two Step glazes provide the same sought-after effect at cone 6, in a breathtaking variety of color combinations. These glazes work as a two part system, with the top coat pulling away to reveal brilliant spots of the glaze beneath.
To use the Texas Two Step glazes, simply apply a Step One Undercoat to bisque ware (two or three coats brushing, one coat dipped) and wait for it to dry completely. Then, cover all or part of the first color with a Step Two Overcoat. When the piece is fired to cone 6 in an electric kiln, the glazes will interact, creating a phenomenal oil spot effect. Varying the thickness of the glazes during application will have a dramatic effect on the finished piece, as the thicker the glazes get, the larger the spots they create will be. We found the optimum thickness to be two coats of the Step One Undercoat and three coats of Step Two Overcoat, but you may prefer thicker or thinner applications for different effects. Try experimenting!
Spots become noticeably larger and less regular after each new coat of glaze. You will need at least one Step One Undercoat and one Step Two Overcoat, used together, to get the oil spot effects.
Below is the complete Two-Step series, with every overcoat/undercoat combination shown. To use the Texas Two Step glazes, simply apply a Step One Undercoat to bisque ware (two or three coats brushing, one coat dipped) and wait for it to dry completely. Then, cover all or part of the first color with a Step Two Overcoat. When the piece is fired to cone 6 in an electric kiln, the glazes will interact, creating a phenomenal oil spot effect. Varying the thickness of the glazes during application will have a dramatic effect on the finished piece, as the thicker the glazes get, the larger the spots they create will be. We found the optimum thickness to be two coats of the Step One Undercoat and three coats of Step Two Overcoat, but you may prefer thicker or thinner applications for different effects. Try experimenting!
Basic Glazing Instructions
First you want to apply wax resist to the foot of your pot (where you don't want any glaze). When you dip your pot in bucket of glaze, the glaze won't stick where you have waxed. The glazes become molten glass in the kiln, so if there is any glaze on the bottom, your pot will stick to the shelf. This will wreck your pot and your kiln shelves! Paint a thin coat of wax on the bottom, as well as up the sides at least ¼ inch. All glazes move a little in the firing, and some are quite runny. Always leave enough room for your glaze to flow some without sticking to the kiln shelf. Until you are familiar with a particular glaze, it is better to leave some extra room.
Dipping
To coat the whole piece in a single glaze, the easiest technique is to pick it up with a pair of glaze tongs, dip it in, count to three and pull it out. Make sure to empty it as you withdraw it. If you pull a bowl out still full of glaze it will weigh so much that the tongs will break through. Hold it upside down over the bucket to drain the excess glaze. There will probably be some glaze sticking to the waxed areas; wipe off what you can while you are holding it with the tongs. Set the piece down and let it dry. After it is dry enough to handle, turn it over and sponge off any glaze still remaining on the bottom. The foot must be perfectly clean before it can go in a kiln.
Brushing
For brushing, most glazes need 2 to 3 coats. It is easier to get even coverage if you brush the first coat side to side, then the next coat up and down.
Firing
These glazes work best when fired between cone 5 and 6 (Orton Standard or Self-Supporting Cones, used as a witness cone placed on the kiln shelf during firing). If you use a kiln sitter you usually have to use a cone six in the sitter to achieve a good cone 5. For automatic kilns, we fire to cone 5 (fast) with a 15 minute hold. Every kiln is different, so you may have to fine tune your firing to achieve the best results.
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Coyote Glazes are evaluated by an independent toxicologist. None of their recipes use lead and all are non-toxic in the liquid state. Continue reading below for more information. |
| Liquid Glaze |
| Click Here for Liquid Glaze SDS |
| All Coyote liquid glazes are non-toxic under proposed use conditions (brushing, pouring, and dipping). All Coyote glazes are lead free, most are cadmium free; however none of these glazes should be taken internally as they contain ingredients not suitable for ingestion or inhalation. All Coyote glazes contain quartz (silica), and some contain cobalt, chromium and cadmium. We do not recommend that the glazes be used for spraying, as that would increase the risk of inhalation. Product labeling; All Coyote glazes have been evaluated by an independent toxicologist and are properly labeled in accordance with ASTM D-4236. In liquid form none require any warning statement other than "conforms to ASTM D-4236." However, we voluntarily adhere to stricter labeling guidelines which include the following statements: -WARNING: This glaze contains quartz, and might contain titanium dioxide, chromium, cobalt, or cadmium. Possible cancer agent based on tests with laboratory animals, exposure may cause lung damage. -Keep out of reach of children, avoid inhalation. Call your local poison control center for more health information. -This product contains chemicals known to the State of California to cause cancer or birth defects or other reproductive harm. |
| Dry Glaze |
| Click Here for Dry Glaze SDS |
| Coyote Dry Glazes contain the same ingredients as the Liquid Glazes. However, due to the increased potential risk of inhalation, they are not labeled as non-toxic. Liquid glaze or underglaze when sprayed also poses an inhalation risk. All Coyote glazes contain quartz (silica), and some contain cobalt, chromium and cadmium. Avoid creating dust, use a NIOSH approved respirator and local exhaust. All of our glazes are lead free, most are cadmium free; however none of these glazes should be taken internally as they contain ingredients not suitable for ingestion or inhalation. Product labeling; All Coyote glazes have been evaluated by an independent toxicologist and are properly labeled in accordance with ASTM D-4236. Dry glazes have the following statements: -WARNING. This glaze contains QUARTZ (SILICA) POSSIBLE CANCER AGENT BASED ON TESTS WITH LABORATORY ANIMALS. EXPOSURE MAY CAUSE LUNG DAMAGE KEEP OUT OF REACH OF CHILDREN AVOID INHALATION CALL YOUR LOCAL POISON CONTROL CENTER FOR MORE HEALTH INFORMATION. -WARNING: This product contains crystalline silica and/or other chemicals known to the State of California to cause cancer. MSDS Available. Conforms to ASTM D 4236 |
| Food Safety |
| Currently the only materials that are regulated by the FDA regarding food safety in ceramic glazes are lead and cadmium. All Coyote glazes are lead free, and those containing cadmium (in the form of inclusion stains) have in our testing passed FDA cadmium release guidelines when properly fired. Because of the many variables in every studio, we cannot guarantee that your ware will be safe for food use. Firing temperature, interaction between different glazes or underglazes, or possible contamination can all affect the food safety of your work. Potters making ware for food use must test their own work to determine its dinnerware status. We recommend that ware produced for sale be tested by the potter at an approved laboratory before it is marketed. You can find information about the lab Coyote uses at www.vanguardglobalassociates.com (Vanguard Global Associates). Amethyst, Brick Red, Buttercup, Butterscotch Shino, Cedar Shino, Cherry Satin, Clementine, Coral Satin, Dragon's Eye, Dusty Rose, Enchanted Sunset, Fairy Rose, Fire Opal, Lemon Cream Satin, Mulberry, Orange, Passion Red, Peach Blush, Persimmon, Phoenix Egg, Plum Shino, Pomegranate, Pumpkin, Really Red, Red, Red Orange, Rhubarb, Sedona Sunset, Sundrop, Sunrise Shino, Sunset Pink, Sunshine Yellow, Tangerine, Tiger Lily, Texas Rose, and Turquoise Lake contain Cadmium in the form of inclusion stains; in our testing, all of these glazes passed FDA guidelines in leaching tests for cadmium release. Blue Matt, Bronze Temmoku, Crystal Aurora, Crystal Celadon, Crystal Nebula, Crystal Lagoon, Green Matt, Green Shino, Iron Matt, Ivory Crystal, Peacock Green, Rose Crystal and Turquoise Matt are not recommended for food use, as they may change color or texture with repeated exposure to food and dishwasher detergents. The Crawl glazes are not recommended for food use due to their texture. |
| California Prop 65 Warning |
California law now requires that certain warnings must be prominently displayed on the website and labeling of any product containing materials from their list of regulated chemicals. To comply with this, all Coyote Glazes and Underglazes now have some variation of the following warning: WARNING: This product can expose you to chemicals including Quartz and Lithium Carbonate, which are known to the State of California to cause cancer and birth defects or other reproductive harm. For more information go to www.P65Warnings.ca.gov |
