Welcome to our new site. We hope you enjoy it. We are in our final testing to make sure everything is ready for you to come and SHOP. Look around all you like, we'll be officially open over here 12/26/24!

Stoneware Classics

Stoneware Classics

Mayco’s Stoneware Classic glazes satisfy a variety of performance and color selections that range from bright and vibrant to earthy and subdued. Our Stoneware glazes provide a variety of finishes, movement, and variation. Some glazes are high gloss, opaque, and flat in color, while others have a more complex surface that is varied in both finish and color. The Stoneware Classic glazes also include Opals and Ice (translucent) glazes. These glazes heighten surface details where they gather and pool, work well on a variety of clay bodies and have a firing range from cone 5-10.

46 products

  • Abalone Pint Abalone Pint

    Mayco Abalone Pint

    Out of stock

    Cone 6: Abalone is formulated to produce a breaking white and mauve semi-gloss glaze. Light applications will produce a more white semi-gloss finish. Use three+ coats to achieve semi-gloss Abalone finish. Clay body characteristics will be visible through this glaze. Cone 10: Color darkens to purple.

    Out of stock

    $17.00

  • Last stock! Amber Topaz Ice Glaze Pint Amber Topaz Ice Glaze Pint

    Mayco Amber Topaz Ice Glaze Pint

    1 in stock

    Cone 6: Amber Topaz provides a translucent, light honey-blonde color. Designed to provide a hint of color with one coat, deeper color with two to three coats - but remaining translucent. Cone 10: Color changes to a transparent brown. TIP: One coat allows more of the clay body characteristics to appear through the glaze, adding a faint color gloss to the surface. Subsequent coats deepen the amber color but at three coats you will still obtain a translucent fired surface. Three+ coats will produce more opacity and less translucency. Heavy application may increase the incidence of crazing.

    1 in stock

    $13.25

  • Last stock! Birch Pint Birch Pint

    Mayco Birch Pint

    1 in stock

    Cone 6: Birch is a creamy opaque off-white glaze that breaks brown. Cone 10: Cream color remains and brown undertones darken. TIP: The thinner the the application, the more amber the glaze will be. The thicker the application, the more white floating you will get.

    1 in stock

    $13.25

  • Blue Opal Pint Blue Opal Pint

    Mayco Blue Opal Pint

    6 in stock

    Cone 6: Blue Opal is a medium blue semi-transparent to fully opaque gloss glaze. Thinner applications create a transparent blue haze; thicker coatings produce an opaque finish. Surface textures can cause the glaze to collect and produce streaks of greyish blue. Cone 10: Becomes more transparent. Can produce red mottling in a heavy reduction. TIP: Light applications on brown and buff bodies will produce a transparent green-blue gloss finish. Thinner application will provide a glossy transparent finish. Thicker application will provide light blue floating. Surface decoration will be visible under the glaze, but if you apply the glaze thick, it could blur your image.

    6 in stock

    $17.00

  • Last stock! Blue Surf Pint Blue Surf Pint

    Mayco Blue Surf Pint

    1 in stock

    Cone 6: Blue Surf is a variegated cobalt blue glazes that breaks green. Cone 10: Color darkens. TIP: The thinner the application the the more green the glaze will appear. The thicker the more blue it will be. Where the glaze breaks it will be green. ***Color combinations can be found on Mayco's website https://www.maycocolors.com/product/sw-100-blue-surf/

    1 in stock

    $15.25

  • Cinnabar Pint Cinnabar Pint

    Mayco Cinnabar Pint

    2 in stock

    Cone 6: Cinnabar is a rich maroon-red gloss glaze that tends to develop a hazy purple float with heavier application. Cone 10: Color darkens. TIP: One to two coats will produce an opaque maroon-red; three+ coats will produce higher levels of purple float. You’ll produce beautiful color variations with Cinnabar without the glaze running off your ware during a cone 6 oxidation firing.

    2 in stock

    $17.00

  • Copper Float Pint Copper Float Pint

    Mayco Copper Float Pint

    5 in stock

    Cone 6: Copper Float glaze is a rich and complex midrange glaze with hues varying from reds, to coppers to gun metal blacks. Predominate coloration is a dark rusty red. The surface is satin-matte when fired to cone 5 or 6. Cone 10: Finish flattens. Color changes to a warm brown with some copper mottling. TIP: One coat will produce dark, greenish tones, thicker coats will add greens. Thickest applications will result in metallic red hues.

    5 in stock

    $13.25

  • Copper Jade Pint Copper Jade Pint

    Mayco Copper Jade Pint

    7 in stock

    Cone 6: Copper Jade fires to a gloss finish, producing colors that can range from brown-greens to creamy tan hues. Color breaks dark and can pool into red tones where thick. This glaze yields complex surfaces through movement and color variation. Cone 10: Color changes to a red/brown with some black/copper mottling. TIP: One coat will produce dark, greenish tones, thicker coats will add greens. Thickest applications will result in metallic red hues.

    7 in stock

    $15.25

  • Copper Ore Pint Copper Ore Pint

    Mayco Copper Ore Pint

    4 in stock

    Cone 6: Copper Ore is a highly mobile, reddish brown metallic glaze. A dark bronze field breaks with areas of darker coloring and flashes of brighter red metallic. The movement within this glaze produces striking visual textures. Cone 10: Finish flattens. Color turns to red/brown. Increased movement. TIP: This glaze WILL move. Take care when using on vertical pieces – reduce glaze thickness towards the bottom third to minimize run-off.

    4 in stock

    $17.00

  • Coral Pint Coral Pint

    Mayco Coral Pint

    5 in stock

    Cone 6: Melon provides a translucent, light coral gloss color. You will produce beautiful color variations with Coral without the glaze running off your ware during firing. Designed to provide a hint of color with one coat, deeper color with two to three coats - but remaining translucent. Cone 10: Color lightens. TIP: One coat allows more of the clay body characteristics to appear through the glaze, adding a faint color gloss to the surface. Subsequent coats deepen the coral color but at three coats you will still obtain a translucent fired surface. Four+ coats will produce more opacity and less translucency.

    5 in stock

    $17.00

  • Coral Sands Pint Coral Sands Pint

    Mayco Coral Sands Pint

    3 in stock

    Cone 6: Coral Sands is a semi-opaque gloss glaze that displays shades of orange, yellow, and pink. The variation of glaze depends on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent where thinner and pool darker around surface textures. Cone 10: Color changes to pink/brown.

    3 in stock

    $15.25

  • Cordovan Pint Cordovan Pint

    Mayco Cordovan Pint

    2 in stock

    Cone 6: Cordovan develops a deep, burgundy red color with a semi-gloss surface when fired to cone 5 or 6. Cordovan produces a brick or iron red on white and red midrange clay bodies. Cone 10: Color changes to a dark metallic gray with copper/black mottling. TIP: Two coats should be plenty to get deep red, opaque coverage; light glazers may need to add a third coat.

    2 in stock

    $15.25

  • Eggplant Pint Eggplant Pint

    Mayco Eggplant Pint

    2 in stock

    Cone 6: Eggplant is an opaque, gloss purple glaze. Three coats will create a solid purple finish. Thinner applications may result in the development of blue-gray coloring. Blue-gray colors may also develop where the glaze breaks over and around surface textures. Cone 10: Color changes to blue. TIP: A light blue can form on top of Eggplant where it pools; surface textures also encourage the glaze to break blue. It is beautiful used in combination with other glazes.

    2 in stock

    $17.00

  • Emerald Pint Emerald Pint

    Mayco Emerald Pint

    3 in stock

    Cone 6: Emerald provides a translucent green gloss color. You will produce beautiful color variations with Emerald without the glaze running off your ware during firing. Designed to provide a hint of color with one coat, deeper color with two to three coats - but remaining translucent. Cone 10: Color changes to red in a heavy reduction. TIP: One coat allows more of the clay body characteristics to appear through the glaze, adding a faint color gloss to the surface. Subsequent coats deepen the green color but at three coats you will still obtain a translucent fired surface. Four+ coats will produce more opacity and less translucency.

    3 in stock

    $17.00

  • Fool™s Gold Fool™s Gold

    Mayco Fool™s Gold

    6 in stock

    Cone 6: Fool's Gold is a gloss, semi-transparent glaze consisting of a rich brown base with tiny, gold metallic flecks. The variation of glaze depends on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent and pool darker around surface textures. Cone 10: Color darkens and produces metallic mottling.

    6 in stock

    $15.25

  • Frosted Lemon Pint Frosted Lemon Pint

    Mayco Frosted Lemon Pint

    5 in stock

    Cone 6: Frosted Lemon is a semi-opaque gloss yellow glaze that displays shades of yellow and white. The variation of glaze depends on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent where thinner and pool darker around surface textures. Cone 10: Color changes to a light pink/purple.

    5 in stock

    $13.25

  • Glacier Blue Pint Glacier Blue Pint

    Mayco Glacier Blue Pint

    3 in stock

    Cone 6: Glacier Blue provides a translucent, light blue gloss color. You will produce beautiful color variations with Glacier Blue without the glaze running off your ware during firing. Designed to provide a hint of color with one coat, deeper color with two to three coats - but remaining translucent. Cone 10: Color lightens. TIP: One coat allows more of the clay body characteristics to appear through the glaze, adding a faint color gloss to the surface. Subsequent coats deepen the blue color but at three coats you will still obtain a translucent fired surface. Four+ coats will produce more opacity and less translucency.

    3 in stock

    $15.25

  • Gray Opal Pint Gray Opal Pint

    Mayco Gray Opal Pint

    Out of stock

    Cone 6: Gray Opal creates a transparent gloss finish. It deepens in color from one coat to three but surface decoration and design remain visible through theglaze even with three coats. The glaze will break and pool around surface textures, creating opportunities for the opalescent character to develop. Cone 10: Color lightens; becomes more transparent. TIP: Thinner application will provide a glossy transparent finish. Thicker application will provide blue white floating. Surface decoration will be visible under the glaze, but if you apply the glaze thick, it could blur your image.

    Out of stock

    $17.00

  • Green Opal Pint Green Opal Pint

    Mayco Green Opal Pint

    3 in stock

    Cone 6: Green Opal achieves a vibrant chartreuse gloss when fired. Lighter applications lead to a semi-opaque yellow-green; heavier applications see the formation of a green float. Cone 10: Color lightens; becomes more transparent. TIP: Darker clay bodies, such as buff and brown, display the phosphorescent qualities of Green Opal. On manganese bodies, Green Opal will interact with manganese bodies, creating interesting brown streaks. Thinner application will provide a glossy transparent finish. Thicker application will provide light green floating. Surface decoration will be visible under the glaze, but if you apply the glaze thick, it could blur your image. and pool into

    3 in stock

    $17.00

  • Green Tea Green Tea

    Mayco Green Tea

    Out of stock

    Cone 6 oxidation (larger image): Green Tea is a variegated sage green glaze that breaks over texture and can produce a glossy blue finish. Cone 10 reduction (smaller image): Color changes to a variegated pink/blue/green. TIP: If the glaze comes out with more of a matte finish then re-fire to produce more variation in the glazed surface. Thinner application of this glaze will produce less crystals. Thicker application will produce more crystals. This glaze has a gloss finish. This glaze combos well with other Mayco glazes. If you like combos with Capri blue and oyster, try green tea because they are in the same family of glaze.

    Out of stock

    $13.25

  • Cone 6 Oxidation Cone 10 Oxidation

    Mayco Ivy Pint

    Out of stock

    Cone 6 oxidation (large photo): Ivy is a glossy, opaque, variegated green glaze with that breaks over texture and has an iridescent sheen. Green micro-crystallization may develop. Cone 10 reduction (small photo): Glaze shifts to a variegated jade that breaks purple over texture. Micro-crystallization enhances. TIP: This glaze is fluid; Apply receding coats to avoid runoff on vertical pieces and practice caution in combination. Prone to pinholes when fired on manganese clay bodies.

    Out of stock

    $17.00

  • Lavender Mist Pint Lavender Mist Pint

    Mayco Lavender Mist Pint

    Out of stock

    Cone 6: Lavender Mist is a semi-opaque gloss glaze that displays shades of lavender and brown. The variation of the glaze is dependent on application; Thicker application will result in a more opaque and homogenous color. Cone 10: Color darkens.

    Out of stock

    $15.25

  • Maycoshino Pint Maycoshino Pint

    Mayco Maycoshino Pint

    5 in stock

    Cone 6: Maycoshino is a variegating iron glaze with subtle color changes. In a thin application, the user will achieve rich, iron browns. Applied thicker, the user will get lighter, creamy hues which are reminiscent of traditional Japanese shino glazes. This glaze is wonderful on any surface, any color clay body. Cone 10: Color darkens to a gray/brown. TIP: One coat produces a solid reddish brown opaque covering; Two coats produces a cream-tan-buff finish that breaks brown over surface texture; Three coats significantly introduces waves of cream-tan color over the reddish brown base.

    5 in stock

    $17.00

  • Mirror Black Pint Mirror Black Pint

    Mayco Mirror Black Pint

    2 in stock

    Cone 6: Mirror Black creates a highly reflective, metallic black gloss finish. On some vertical surfaces and around surface textures, minor matte effects can be seen; all other applications result in the formation of a black, metallic mirror. Cone 10: Finish flattens. Color remains. Increased movement. TIP: This glaze WILL move. Take care when using on vertical pieces – reduce glaze thickness towards the bottom third to minimize run-off.

    2 in stock

    $17.00

  • Cone 6 Oxidation Cone 10 Reduction

    Mayco Nimbus Pint

    7 in stock

    Cone 6 oxidation (large photo): Nimbus is a glossy, opaque, variegated blue glaze that breaks over texture and has an iridescent sheen. Blue micro-crystalization may develop. Cone 10 reduction (small photo): Glaze brightens to a variegated cyan that breaks green/brown over texture. TIP: This glaze is fluid; Apply receding coats to avoid runoff on vertical pieces and practice caution in combination. Prone to pinholes when fired on manganese clay bodies.

    7 in stock

    $17.00

  • Norse Blue Pint Norse Blue Pint

    Mayco Norse Blue Pint

    5 in stock

    Cone 6: Norse Blue is a semi-opaque blue gloss glaze that displays shades of light blue and green. The variation of glaze depends on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent where thinner and pool darker around surface textures. Cone 10: Color darkens.

    5 in stock

    $13.25

  • Last stock! Northern Woods Pint Northern Woods Pint

    Mayco Northern Woods Pint

    1 in stock

    Cone 6: Northern Woods is a semi-transparent bluish-green glaze. Lighter applications will produce a light translucent green with brown hues. As additional coats are applied the green hues will deepen and develop a bluish tint. Very nice on white stoneware and porcelain. Cone 10: No Change TIP: This glaze breaks brown and when applied thin the color will be brown. Apply three heavy coats to get the deep green color.

    1 in stock

    $13.25

  • Olivine Pint Olivine Pint

    Mayco Olivine Pint

    2 in stock

    Cone 6: Olivine has rusts and several shades of green flow from this mobile gloss glaze. Lighter coats produce muted greens and browns, 3 coats can produce a beautiful metallic green, almost mirror-like, luster. Cone 10: Color flattens and warm undertones come through. TIP: The thinner the application, the more green the glaze will be. The thicker the application, the more brown the glaze will be. If the glaze is fired cooler, the deeper brown and less variation will appear. If too brown, put back in the kiln and fire again.

    2 in stock

    $13.25

  • Opal Pint Opal Pint

    Mayco Opal Pint

    Out of stock

    Cone 6 oxidation (larger image): Opal Lustre is a glossy, semi-opaque glaze that displays variegated shades of blues, greens, and purples. Breaks warm brown over texture. Cone 10 reduction (smaller image): Color flattens, and warm undertones come through. TIP: This glaze is semi-fluid at 3 coats. Additional coats or increased application thickness may result in movement. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.

    Out of stock

    $15.25

  • Oxblood Pint Oxblood Pint

    Mayco Oxblood Pint

    5 in stock

    Cone 6: Oxblood is a milky gloss and transparent glaze that pools red. Heavier application will produce more red. Cone 10: Gloss finish is enhanced and less milky. Red pooling is brighter. Tip: Must be applied thick for red variation to appear.

    5 in stock

    $15.25

  • Oyster Pint Oyster Pint

    Mayco Oyster Pint

    7 in stock

    Cone 6 oxidation (larger image): Oyster is a variegated cream/brown glaze that exhibits gray/purple undertones and breaks brown. Cone 10 reduction (smaller image): Color changes to a variegated brown/cream. Increased movement. TIP: If your kiln fires cool, the glaze finish may be brown. An iridescent finish may be achieved by re-firing or if your kiln fires hot. If you like Green Tea and Capri Blue combos, then try oyster because these three glazes are in the same glaze family. ***for more glaze combinations go to https://www.maycocolors.com/product/sw-110-oyster/

    7 in stock

    $13.25

  • Peacock Pint Peacock Pint

    Mayco Peacock Pint

    6 in stock

    Peacock Matte develops a matte copper color with various iridescent shades of blue and purple following a proper raku firing. Due to the unpredictable nature of this firing technique, results will vary with every firing.

    6 in stock

    $13.25

  • Pink Opal Pint Pink Opal Pint

    Mayco Pink Opal Pint

    Out of stock

    Cone 6: Pink Opal produces a desert rose pink that ranges from semi-translucent to fully opaque, depending on application thickness. Thin applications yield a clear glaze with hints of pink precipitate; heavier applications will create an opaque purple-pink gloss finish that can also form a whitish cast in select areas. Cone 10: Pink fades out entirely, leaving a transparent gloss with white pooling. TIP: Vertical pieces best allow the glaze to flow and create a semi-transparent, rose veil. Body textures and features will still be visible through the glaze. Thinner application will provide a glossy transparent finish. Thicker application will provide light pink floating. Surface decoration will be visible under the glaze, but if you apply the glaze thick, it could blur your image.

    Out of stock

    $17.00

  • Purple Mint Pint Purple Mint Pint

    Mayco Purple Mint Pint

    7 in stock

    Cone 6: Purple Mint is a gloss glaze that produces greens and purples, reacting strongly to surface textures. On flat, smooth surfaces lighter coats will find greens breaking through a light layer of purple. As more coats are added purple will dominate the fired finish. On textured surfaces green will almost always appear on and around incised and raised areas. Cone 10: Color changes to a variegated blue. TIP: The thinner the application the more green the glaze will appear. The thicker the application the more purple the glaze will be.

    7 in stock

    $17.00

  • Raspberry Mist Pint Raspberry Mist Pint

    Mayco Raspberry Mist Pint

    2 in stock

    Cone 6: Raspberry Mist is a gloss, semi-opaque glaze that displays shades of dark and light pink. The variation of glaze depends on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent and appear brighter with thinner application. Cone 10: Color darkens to a deep red. TIP: Over application of Raspberry Mist can cause pinholing. Brighter color and less variation at cone 5.

    2 in stock

    $17.00

  • Root Beer Ice Glaze Pint Root Beer Ice Glaze Pint

    Mayco Root Beer Ice Glaze Pint

    5 in stock

    Cone 6: Root Beer provides translucent, rich, brown gloss color. Designed to provide a hint of color with one coat, deeper color with two to three coats - but remaining translucent. Cone 10: Color darkens. TIP: One coat allows more of the clay body characteristics to appear through the glaze, adding a faint color gloss to the surface. Subsequent coats deepen the brown color but at three coats you will still obtain a translucent fired surface. Three+ coats will produce more opacity and less translucency. This glaze may have some mobility with thicker applications.

    5 in stock

    $13.25

  • Cone 6 Oxidation Cone 10 Reduction

    Mayco Rose Quartz Pint

    Out of stock

    Cone 6 oxidation (large photo): Rose quartz is a glossy, opaque, variegated pink glaze that breaks over texture. Pastel pink micro-crystallization may develop on vertical surfaces. Cone 10 reduction (small photo): Glaze darkens and desaturates to a dusty rose with red and mauve variegation and white micro-crystallization. Breaks mauve grey over texture. TIP: This glaze is fluid; Apply receding coats to avoid run off on vertical pieces and practice caution in combination. Over-application of Rose Quartz can cause surface issues. Thin application results in vibrant pink; light pink variegation develops with additional application. The micro-crystallization effect is enhanced in a rapidly cooling kiln.

    Out of stock

    $17.00

  • Sand & Sea Pint Sand & Sea Pint

    Mayco Sand & Sea Pint

    Out of stock

    Cone 6: Sand & Sea is a semi-opaque gloss glaze that displays shades of light green and gold. The variation of glaze depends on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent where thinner and pool darker around surface textures. Cone 10: Color changes to cream/gray/brown.

    Out of stock

    $13.25

  • Cone 6 Oxidaction Cone 10 Reduction

    Mayco Sand Dollar Pint

    6 in stock

    Cone 6 oxidation: Sand Dollar is a satin, opaque, cream-colored glaze with white and gold mottling. Breaks glossy transparent over texture. Cone 10 reduction: Glaze shifts to a glossy, variegated lavender purple with white micro-crystallization. Breaks blue/grey over texture. Enhanced mobility. TIP: This glaze is fluid at 3 coats. Anticipate glaze movement with receded application on vertical surfaces to prevent unwanted running.

    6 in stock

    $17.00

  • Sapphire Pint Sapphire Pint

    Mayco Sapphire Pint

    9 in stock

    Cone 6: Sapphire is a rich, deep cobalt blue glaze. It has a glossy, mirrored surface which can give colors from dark blue to bluish-purple, depending upon the thickness of application. Cone 10: No Change. TIP: If the application is too thin, the glaze will be streaky.

    9 in stock

    $17.00

  • Last stock! Smoke Smoke

    Mayco Smoke

    1 in stock

    Cone 6: Smoke is an opaque grey-blue stoneware glaze with soft, subtle variegating hues. Application thickness strongly influences the fired color; surface texture will also produce variegation during the firing. Cone 10: Color changes to a variegated sage green with a glossy finish. TIP: One coat creates a blue-grey haze over a weathered brown; Two coats intensify the grey cast while Three coats intensify the overall grey-blue opaque finish. Brown breaks on raised surfaces on the body.

    1 in stock

    $13.25

  • Speckled Plum Pint Speckled Plum Pint

    Mayco Speckled Plum Pint

    4 in stock

    Cone 6 oxidation (larger image): Speckled Plum produces a reddish brown gloss finish (one to two light coats) and evolves to deliver floating maroon-mauve tones with heavier applications (three to four coats). Heavier applications may also yield bands of reddish-mauve specks when used with certain clay bodies. While you’ll enjoy how Speckled Plum moves, the glaze will not run off your ware during a cone 6 oxidation firing. Cone 10 reduction (smaller image): Color darkens. TIP: Thinner applications will produce darker browns and reds; heavier applications will begin to show an opaque, maroon-mauve float. For more glaze combinations visit https://www.maycocolors.com/product/sw-113-speckled-plum/

    4 in stock

    $17.00

  • Stoned Denim Pint Stoned Denim Pint

    Mayco Stoned Denim Pint

    Out of stock

    Cone 6 oxidation (larger image): Stoned Denim is a variegated blue glaze that breaks brown. Cone 10 reduction (smaller image): Color darkens. TIP: The thinner the application the more brown the glaze will be. The thicker the application, the more blue the glaze will be. Where the glaze breaks it will be brown. ***for more color combinations go to Mayco's website https://www.maycocolors.com/product/sw-101-stoned-denim/

    Out of stock

    $13.25

  • Tiger's Eye Pint Tiger's Eye Pint

    Mayco Tiger's Eye Pint

    Out of stock

    Cone 6: Tiger’s Eye breaks from a glossy deep brownish-red to frothy amber depending on the application thickness. one to two coats will produce browns and reds; three to five coats will result in more glaze movement and color variation. While you’ll experience beautiful movement with Tiger’s Eye, the glaze will not run off your ware during a cone 6 oxidation firing. Cone 10: Color darkens. TIP: Thinner applications will produce darker browns and reds; heavier applications will lean towards an opaque, light brown finish. Butted against another glaze, Tiger’s Eye will gently merge with it – SW-104 Black Walnut is a nice complementary glaze to use. for more glaze combinations, visit https://www.maycocolors.com/product/sw-112-tigers-eye/

    Out of stock

    $13.25

  • Last stock! Turquoise Pint Turquoise Pint

    Mayco Turquoise Pint

    1 in stock

    Cone 6: Turquoise provides translucent, bluish-green gloss color. Designed to provide a hint of color with one coat, deeper color with two to three coats - but remaining translucent. Cone 10: Color fades. TIP: One coat allows more of the clay body characteristics to appear through the glaze, adding a faint color gloss to the surface. Subsequent coats deepen the turquoise color but at three coats you will still obtain a translucent fired surface. Three+ coats will produce more opacity and less translucency.

    1 in stock

    $13.25

  • White Opal Pint White Opal Pint

    Mayco White Opal Pint

    3 in stock

    Cone 6: White Opal forms a clear- to- milky white gloss surface. One coat produces the clearest finish; subsequent layering increases the incidence of a white precipitate forming. Prominent white to bluish-white colors will emerge where the glaze pools and gathers around surface texture. Cone 10: White variation lessens leaving a transparent gloss with white pooling. TIP: White coloration is more visible on darker clay bodies (Buff, Manganese Speck). Thinner application will provide a glossy transparent finish. Thicker application will provide white floating.

    3 in stock

    $17.00

Resources

Series Information: Mayco Stoneware Information & Brochure

Mayco’s Stoneware glaze assortment, including Classic, Matte, Crystal, and Gloss, offers a variety of finishes, textures and endless possibilities for glaze combinations. Available in both liquid and dry.

CLASSIC, MATTE, CRYSTAL, AND GLOSS

One of the most distinctive traits of Mayco’s Stoneware is that the glazes provide consistent performance and intriguing visual interest. They are best known for being receptive and favorable to the user during both application and firing. Mayco Stoneware glazes are friendly to the user in application, layering and firing. Many glazes will break over textures, revealing secondary colors and shades. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired results.

Click below to download a full color brochure of Mayco Stoneware

Usage Information Mayco Glaze Use

Jump to Sections: Fundamentals Stroke & Coat Foundations Elements   Stoneware Glazes

Fundamentals

Shake well. Apply 2-3 coats to wet clay, greenware, or cone 04 bisque for use in design or solid coverage. Fundamentals® have a firing range from cone 06 to cone 10. If the form you are painting has texture, dab excess color out of the texture, and never allow the glaze to pool in the texture. To intensify color or for use on dinnerware, apply a clear or matte clear glaze. For use on clay or greenware, apply underglaze, allow to dry, and fire to cone 04. If desired, apply clear glaze and re-fire to cones 06-05 for earthenware and cone 5-10 for stoneware (998°C–1285°C). For use on bisque, apply to cone 04 bisque, apply clear glaze if desired and re-fire earthenware to cone 06/05 and cone 5-10 for stoneware. Generally, a clear glaze finish is applied to bring out the true color and vividness of the product. We recommend S-2101 Clear for low-fire and SW-001 Stoneware Clear Glaze unless noted SW-004 Zinc-Free Clear for mid-range.

Jump to Sections: Fundamentals Stroke & Coat Foundations Elements   Stoneware Glazes

Stroke & Coat

One coat of Mayco Stroke & Coat® will create a translucent finish with subsequent coats adding opacity. We suggest 2-3 coats for full opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze (such as NT-CLR Clear One Dipping Glaze or S-2101 Crystal Clear Brushing) can be added. For application on wet or leatherhard clay and firing to cone 04, colors will retain their vibrancy with huge time savings. We recommend leaving an area unglazed, such as the back or bottom of the unfired piece, to allow for out-gassing of the clay during the single-firing process. Limit glazes to 2 coats including design work.

Jump to Sections: Fundamentals Stroke & Coat Foundations Elements   Stoneware Glazes

Jungle Gems

Crystal glazes were designed to mature at cone 06/05. Shake the jar well and stir during the application process. Apply two to three even coats to shelf cone 04 bisque with a fan brush, allow to dry between coats. We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application. Stir frequently as crystals tend to settle in the jar due to their weight. Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom. Avoid heavy application of crystals at the bottom of ware as the crystals bloom and can adhere to the kiln shelves or stilts. The crystals in the glaze will melt when fired, which may create a textured surface. Jungle Gems™ Crystal Glazes have a natural crazing that occurs when the crystals “bloom”. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware.

Jungle Gems™ Crystal Glazes have been formulated to mature at cone 06/05. However can be fired at higher temperatures. Their performance at cone 6 is noted on each individual product label. Crystals tend to flow at higher temperatures so take care on vertical pieces. We recommend testing on your clay body and in your kiln prior to use.

Jump to Sections: Fundamentals Stroke & Coat Foundations Elements   Stoneware Glazes

Foundations

Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with your brush or decorating accessory of choice (sponge, stamp, etc.). Foundations® glazes were designed to mature at a shelf cone 06/05. Apply 2-3 coats, on cone 04 bisque, allowing surface to dry in-between coats. Foundations® dries quickly and speeds up your ability to handle or perform additional decorating. Glaze fires to high-gloss finishes (excludes mattes), therefore does not need to be clear glazed. When applying to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft Fan. Try to get the brush fully saturated (loaded) and apply each coat in the same direction to minimize brush marks.

Foundations® have been formulated to mature at cone 06/05. However most will maintain their color at higher temperatures. Their performance at cone 6 is noted on each individual product label. We recommend testing on your clay body and in your kiln prior to use.

Jump to Sections: Fundamentals Stroke & Coat Foundations Elements   Stoneware Glazes

Elements & Element Chunks

Shake for five to six seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar may contaminate the jar’s contents, especially if you are using other glazes. Apply three to four coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area, we recommend a broad, soft fan brush.

Moisten the brush with water first. The brush fully saturated (loaded) and each coat applied in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Be sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06. Elements™ can be fired at higher temperatures but will change in appearance. We recommend testing prior to use.

Jump to Sections: Fundamentals Stroke & Coat Foundations Elements   Stoneware Glazes

Stoneware Series

Stoneware Classic & Matte Glazes: Stir well. Apply to soft-fired bisque (cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire from cone 5/6-10. See label for additional firing information for individual glazes and cone 10 performance.

Stoneware Crystal Glazes: Crystal glazes are designed to expand upon the surface with dazzling bursts of color. Crystals will settle to the bottom of the jar and will need thorough mixing prior to initial use and in between each coat. Apply two to three coats using a fan or hake brush. While the glaze is wet, use your brush to redistribute crystals to achieve balanced coverage. Over application of the crystals can cause pinholing or running. Avoid placing crystals near the bottom third of a vertical piece as they may cause additional movement during firing. See label for additional firing information for individual glazes and cone 10 performance.

 

Stoneware Gloss Glazes: Stoneware Gloss glazes can be used in design, all over coverage and are the ideal product for intermixability at mid-range temperatures. The integrity of your design will remain unchanged as these glazes are incredibly stable and will not move or combine with surrounding colors. See label for additional firing information for individual glazes and cone 10 performance.

Dry mix products: Always wear a NIOSH-approved respirator when handling dry glazes. Gently tumble unopened bag to redistribute material, Sieving is not necessary. Mix one 10Ib bag of Dry material into at least 10 pints of water. Stir thoroughly. Add additional water until desired Specific Gravity is reached. Specific Gravity preference will vary between studios, persons, and practice. Our recommended Specific Gravity is in the range of 1.47-1.51. This is for a 1 second dip time; you may want to mix to a lower Specific Gravity if you layer your glazes or tend to dip longer. Stir well before each use. We suggest using dipping tongs. Immerse the ware for 1-2 seconds. One dip of Mayco Dry is equivalent to 3 coats. Shake excess glaze off gently. Allow the glaze to dry before applying additional coats, if desired. When applying Stoneware Dry Crystal glazes, use a cup or ladle to pour the glaze over your piece. While the glaze is wet, you may use a fan brush to evenly distnb­ute the crystals; avoid heavy crystal loading on the bottom 1/3 of your piece. Fire to preferred temperature, cones 5-10 (2167°F-2345°F / 1186°C-1285°C). Testing recommended. The choice of clay body, the thickness of glaze application, the firing process, and temperature will affect the fired results.

Tip: Save your bag or log the lot number for if you have any questions for our technical team. Tip: Apply AC-302 Wax Resist to the bottom for easy dry foot clean-up.

Safety Information Mayco Safety Information

FOOD SAFE VS. DINNERWARE SAFE VS. NOT SUITABLE FOR DINNERWARE DUE TO SURFACE CHARACTERISTICS

The Food and Drug Administration (FDA) issues a series of Compliance Policy Guides (CPG) that explain policy on regulatory issues related to the FDA laws or regulations, primarily “Food Safe”. Specific to ceramic products and supplies: 

  • CPG Sec. 545.400 Pottery (Ceramics); Import and Domestic – Cadmium Contamination: delineates the acceptable test methods and levels of cadmium leach that is permissible 
  • CPG Sec. 545.450 Pottery (Ceramics); Import and Domestic – Lead Contamination: delineates the acceptable test methods and levels of lead leach that is permissible 
  • Please note: it is NOT illegal for a foodware item to contain traces of lead or cadmium as long as these substances test below the thresholds established in these guidelines. 

“Food safe” seems to be one of the most confusing concepts for ceramic studios. It can be used differently among manufacturers, which lends to the confusion. There are some dissimilarities in how we ceramic manufacturers use definitions of food safe, dinnerware safe and other safety related information. Following is Mayco’s approach: 

VIDEO

FOOD SAFE

“Food Safe” refers to the glaze in its final, fired state. “Food Safe” is a regulation and is defined by the Compliance Policy Guide, which is maintained by the FDA and only applies to lead and cadmium release. “Food Safe” refers to the glaze in its final, fired state. If a product has a food safe designation, we have conducted testing on the individual glaze (or similar in formulation), which has passed standards for food safety when used according manufacturer’s direction. Finishedware producers bear responsibility for food safe testing their ware being sold into commerce. 

DINNERWARE SAFE

“Dinnerware Safe” indicates the fired glaze surface meets the FDA standards for food safe, the fired surface is free of surface texture that could potentially trap bacterial, and the fired surface is chemically durable. Please note, dinnerware safety is not defined by cutlery scratches. Finishedware producers bear responsibility for dinnerware safe testing their ware being sold into commerce. 

NOT SUITABLE FOR DINNERWARE DUE TO SURFACE DURABILITY

“Not Suitable for Dinnerware due to Surface Durability” indicates the fired glaze surface may not be desirable to use a particular glaze for dinnerware even though it has passed the food safe testing process. Much of this is due to the fired glaze surface being impacted by contact with acidic food or liquids. Please note, dinnerware safety is not defined by cutlery scratches.

NOT SUITABLE FOR DINNERWARE DUE TO SURFACE CHARACTERISTICS

“Not Suitable for Dinnerware due to Surface Characteristics” indicates the fired glaze surface. It is a term we use to describe situations (cracks, crevices) where it may not be desirable to use a particular glaze for dinnerware even though it has passed the food safe testing process. Much of this falls under common sense or practicality. Please note, dinnerware safety is not defined by cutlery scratches.

EARTHENWARE AND OTHER POROUS BODIES

Certain glazes may not be recommended for dinnerware produced from low fire earthenware clay bodies. These glazes can exhibit surface textures such as cracks and crevices. While the glazed surface may pass lead & cadmium leach tests, and therefore technically considered Food Safe, attempts to adequately clean the textured surface may cause the underlying porous ware to absorb water and fail or crack. 

STONEWARE AND PORCELAIN MID-RANGE AND HIGH FIRE BODIES

The same textured glazes that are not considered dinnerware safe for earthenware may be dinnerware safe if surface texture is eliminated when firing to higher temperatures. Ware with minor surface characteristics can be considered Dinnerware Safe provided the clay body is vitrified and the ware can be adequately cleaned. 

DURABILITY OF FIRED GLAZE

Some glazes, regardless of surface texture or porosity of underlying clay body, will be designated as not suitable for dinnerware as the fired glaze surface is not durable and can be impacted by contact with some food or liquids. While it may not be harmful, it is certainly not desirable. An example would be Stoneware Texture glazes or Cobblestones. 

SPECIALTY FIRINGS

Regardless of the glaze used, ware created in specialty firings such as Raku are not considered suitable for dinnerware as the clay body is porous. 

NON-TOXIC AND LEAD FREE

These terms are featured on most of our liquid glaze labels. This statement lets you know that the product has passed toxicological examination and will not cause acute or chronic damage to the human body  It has nothing to do with food safety, which is a standard applied to the fired ware. 

ICONS

AP SEAL

The AP (Approved Product) Seal identifies art materials are certified in a toxicological evaluation by a medical expert to contain no materials in sufficient quantities to be toxic or injurious to humans, including children, or to cause acute or chronic health problems as a wet glaze. Such products are certified by ACMI to be labeled in accordance with the chronic hazard labeling standard, ASTM D 4236, and the U. S. Labeling of Hazardous Art Materials Act (LHAMA).

CL SEAL

The CL (Cautionary Labeling) Seal identifies products that are certified to be properly labeled in a program of toxicological evaluation by a medical expert for any known health risks and with information on the safe and proper use of these materials as a wet glaze. CL products are NOT suitable for children 12 and under. 

NON-TOXIC

Products bearing the Certified Non-Toxic seal have been reviewed by a toxicologist & deemed to have no health risk associated with the proper use of the product.

FOOD SAFE

Products bearing the Food Safe icon have been regulation and defined by the Compliance Policy Guide, maintained by the FDA. We have conducted testing on the individual glaze (or similar in formulation), which has passed standards for food safety when used according manufacturer’s direction.

DINNERWARE SAFE

Glazes identified with the Dinnerware Safe icon indicate the fired surface meets the FDA guidelines for food safe and is suitable for use on dinnerware.

NOT DINNERWARE SAFE

Glazes identified with this version of the Dinnerware Safe icon indicate the fired surface is NOT safe for use on dinnerware.

DINNERWARE SAFE WITH CLEAR GLAZE

Glazes identified with this version of the Dinnerware Safe icon indicate the fired surface is safe for use on dinnerware after a clear glaze or other dinnerware safe glaze is applied and fired.

© 2024 Brackers Good Earth Clays, Powered by Shopify

    • American Express
    • Apple Pay
    • Diners Club
    • Discover
    • Google Pay
    • Mastercard
    • PayPal
    • Shop Pay
    • Venmo
    • Visa

    Login

    Forgot your password?

    Don't have an account yet?
    Create account