The SR-20 is a mid-sized floor model that can produce slabs up to 20"W x 52"L. It includes one 1/4" shim with canvas and one 1/8" plain shim. Maximum slab thickness is 1 1/2". Assembled dimensions: 34"W x 76"L x 40"H.
The SR-20 is a mid-sized floor model that can produce slabs up to 20"W x 52"L. It includes one 1/4" shim with canvas and one 1/8" plain shim. Maximum slab thickness is 1 1/2". Assembled dimensions: 34"W x 76"L x 40"H.
The SR-36 is a great slab roller for potters creating large projects.
The SR-36 is a large floor model that can produce slabs up to 36"W x 52"L. Maximum slab thickness is 7/8". It includes one 1/4" plain shim, one 1/4" shim with canvas, and a 1/8" plain shim. Assembled dimensions: 49"W x 76"L x 40"H. IMPORTANT NOTE ON SR-36 SLAB ROLLER:Because the amount of clay and the mechanical pressure that is produced rolling a large slab, the middle of the bed may bow slightly, creating a slab that is thinner on the sides. This variation is more evident when rolling thinner slabs -- from 1/2" to 3/8". Its effect on thicker slabs is not quite as evident. This is a great slab roller for large projects, but those looking for thin, consistent slabs, may want to purchase one of our smaller models.
This slab roller is compact enough to fit on a table while rolling out slabs up to 14" W x 15" L.
Portable, yet extremely sturdy, this slab roller is compact enough to fit on a table while rolling out slabs up to 14" W x 15" L. Maximum slab thickness is 3/4". The Mini SRC is ideal for taking to workshops or for studios with limited space. It is constructed of steel pipe and bent plate like the SRC so it will last for many years. The patented cable drive system with opposing rollers produces even pressure along the bed. It includes one 1/4" shim with canvas and two 1/8" plain shims. Assembled dimensions: 31"W x 26"L x 14"H.
SlabMat is the smooth alternative to canvas for rolling out slabs of clay. SlabMat is a proprietary non-woven material used instead of canvas for slab rollers, or rolling slabs with a rolling pin. Here are tips to help you enjoy SlabMat that much more. When cutting clay directly on SlabMat, a wooden or dull metal fettling knife is recommended. Use care to limit the sharpness of the cutting tool and the pressure applied while cutting to avoid permanent damage to the mat. For the smoothest slabs, use a SlabMat on both sides of the clay slab, with the smooth side of SlabMat touching the clay. One long piece of SlabMat may be used for small clay slabs, folded over itself with the clay sandwiched in between. If the mat becomes creased, the crease will be permanent. SlabMat can be used in conjunction with other materials (like heavy weight paper or fabric) to add defined texture to one side of a clay slab while keeping the opposite side totally smooth. If you encounter problems with SlabMat slipping on a slick surface, a piece of rubber shelf liner can be used underneath for added grip. If clay is sticking to SlabMat, your clay may be too moist. This can be easily remedied with a light dusting of cornstarch on the mat. Cornstarch reduces sticking and will burn off in the firing. Do not store your clay on SlabMat after use. Unlike canvas, the SlabMat can be used to roll multiple slabs in one studio session before becoming too saturated and causing clay to stick. Prolonged wetness may cause the SlabMat to become wavy but it can be dried between two pieces of sheetrock (drywall) to re-flatten. SlabMat will absorb stains from your colored clays. We recommend a set of mats for each color or type of clay used in your studio (white, red, porcelain, etc.) If you can roll your clay on canvas, you can roll your clay on SlabMat!
2 pieces of 21 ounce duck canvas, 24" x 36" each Precision Cut to Exact Measurements Easily Replaced When Discolored or Worn Heavy Tightly Woven Design
2 pieces of 21 ounce duck canvas, 30" x 36" each Precision Cut to Exact Measurements Easily Replaced When Discolored or Worn Heavy Tightly Woven Design
These strips are made of kiln dried hardwood and are 23-1/2" long x 3/4" wide. There are 4 sets of 2 each at (1/8", 1/4", 3/8", and 1/2" thickness). 8 strips total.
SlabMat is the smooth alternative to canvas for rolling out slabs of clay. SlabMat is a proprietary non-woven material used instead of canvas for slab rollers, or rolling slabs with a rolling pin. Here are tips to help you enjoy SlabMat that much more. When cutting clay directly on SlabMat, a wooden or dull metal fettling knife is recommended. Use care to limit the sharpness of the cutting tool and the pressure applied while cutting to avoid permanent damage to the mat. For the smoothest slabs, use a SlabMat on both sides of the clay slab, with the smooth side of SlabMat touching the clay. One long piece of SlabMat may be used for small clay slabs, folded over itself with the clay sandwiched in between. If the mat becomes creased, the crease will be permanent. SlabMat can be used in conjunction with other materials (like heavy weight paper or fabric) to add defined texture to one side of a clay slab while keeping the opposite side totally smooth. If you encounter problems with SlabMat slipping on a slick surface, a piece of rubber shelf liner can be used underneath for added grip. If clay is sticking to SlabMat, your clay may be too moist. This can be easily remedied with a light dusting of cornstarch on the mat. Cornstarch reduces sticking and will burn off in the firing. Do not store your clay on SlabMat after use. Unlike canvas, the SlabMat can be used to roll multiple slabs in one studio session before becoming too saturated and causing clay to stick. Prolonged wetness may cause the SlabMat to become wavy but it can be dried between two pieces of sheetrock (drywall) to re-flatten. SlabMat will absorb stains from your colored clays. We recommend a set of mats for each color or type of clay used in your studio (white, red, porcelain, etc.) If you can roll your clay on canvas, you can roll your clay on SlabMat!
SlabMat is the smooth alternative to canvas for rolling out slabs of clay. SlabMat is a proprietary non-woven material used instead of canvas for slab rollers, or rolling slabs with a rolling pin. Here are tips to help you enjoy SlabMat that much more. When cutting clay directly on SlabMat, a wooden or dull metal fettling knife is recommended. Use care to limit the sharpness of the cutting tool and the pressure applied while cutting to avoid permanent damage to the mat. For the smoothest slabs, use a SlabMat on both sides of the clay slab, with the smooth side of SlabMat touching the clay. One long piece of SlabMat may be used for small clay slabs, folded over itself with the clay sandwiched in between. If the mat becomes creased, the crease will be permanent. SlabMat can be used in conjunction with other materials (like heavy weight paper or fabric) to add defined texture to one side of a clay slab while keeping the opposite side totally smooth. If you encounter problems with SlabMat slipping on a slick surface, a piece of rubber shelf liner can be used underneath for added grip. If clay is sticking to SlabMat, your clay may be too moist. This can be easily remedied with a light dusting of cornstarch on the mat. Cornstarch reduces sticking and will burn off in the firing. Do not store your clay on SlabMat after use. Unlike canvas, the SlabMat can be used to roll multiple slabs in one studio session before becoming too saturated and causing clay to stick. Prolonged wetness may cause the SlabMat to become wavy but it can be dried between two pieces of sheetrock (drywall) to re-flatten. SlabMat will absorb stains from your colored clays. We recommend a set of mats for each color or type of clay used in your studio (white, red, porcelain, etc.) If you can roll your clay on canvas, you can roll your clay on SlabMat!
SlabMat is the smooth alternative to canvas for rolling out slabs of clay. SlabMat is a proprietary non-woven material used instead of canvas for slab rollers, or rolling slabs with a rolling pin. Here are tips to help you enjoy SlabMat that much more. When cutting clay directly on SlabMat, a wooden or dull metal fettling knife is recommended. Use care to limit the sharpness of the cutting tool and the pressure applied while cutting to avoid permanent damage to the mat. For the smoothest slabs, use a SlabMat on both sides of the clay slab, with the smooth side of SlabMat touching the clay. One long piece of SlabMat may be used for small clay slabs, folded over itself with the clay sandwiched in between. If the mat becomes creased, the crease will be permanent. SlabMat can be used in conjunction with other materials (like heavy weight paper or fabric) to add defined texture to one side of a clay slab while keeping the opposite side totally smooth. If you encounter problems with SlabMat slipping on a slick surface, a piece of rubber shelf liner can be used underneath for added grip. If clay is sticking to SlabMat, your clay may be too moist. This can be easily remedied with a light dusting of cornstarch on the mat. Cornstarch reduces sticking and will burn off in the firing. Do not store your clay on SlabMat after use. Unlike canvas, the SlabMat can be used to roll multiple slabs in one studio session before becoming too saturated and causing clay to stick. Prolonged wetness may cause the SlabMat to become wavy but it can be dried between two pieces of sheetrock (drywall) to re-flatten. SlabMat will absorb stains from your colored clays. We recommend a set of mats for each color or type of clay used in your studio (white, red, porcelain, etc.) If you can roll your clay on canvas, you can roll your clay on SlabMat!
Economy 12×14 are the perfect SlabMat size for rolling out small plates or may be used as a work surface in a classroom setting. SlabMat is the smooth alternative to canvas. The non-woven surface is ideal for working on clay. SlabMats can be used as a handbuilding mat, or run through a slab roller. Measure your slab roller to make sure this size fits.This is a 12-pack of 12×14 sheets. SlabMat can also be customized in your studio with a blade and straight edge, cut to your desired size. Here are tips to help you enjoy SlabMat that much more. When cutting clay directly on SlabMat, a wooden or dull metal fettling knife is recommended. Use care to limit the sharpness of the cutting tool and the pressure applied while cutting to avoid permanent damage to the mat. For the smoothest slabs, use a SlabMat on both sides of the clay slab, with the smooth side of SlabMat touching the clay. One long piece of SlabMat may be used for small clay slabs, folded over itself with the clay sandwiched in between. If the mat becomes creased, the crease will be permanent. SlabMat can be used in conjunction with other materials (like heavy weight paper or fabric) to add defined texture to one side of a clay slab while keeping the opposite side totally smooth. If you encounter problems with SlabMat slipping on a slick surface, a piece of rubber shelf liner can be used underneath for added grip. If clay is sticking to SlabMat, your clay may be too moist. This can be easily remedied with a light dusting of cornstarch on the mat. Cornstarch reduces sticking and will burn off in the firing. Do not store your clay on SlabMat after use. Unlike canvas, the SlabMat can be used to roll multiple slabs in one studio session before becoming too saturated and causing clay to stick. Prolonged wetness may cause the SlabMat to become wavy but it can be dried between two pieces of sheetrock (drywall) to re-flatten. SlabMat will absorb stains from your colored clays. We recommend a set of mats for each color or type of clay used in your studio (white, red, porcelain, etc.) If you can roll your clay on canvas, you can roll your clay on SlabMat!
This is the ultimate handbuilding tool. It is basically 3 tools in one. You get 3 different angles with which you can bevel your slabs for construction. Place the tool flat on the table up against your slab and draw it along the slab to cut a perfect angle for construction. you get 30, 60, or 45 degree cuts. The taut wire never snags or causes drag or deformation on your slab. You can quickly and easily tighten or replace the wire too!
This tool is very versatile! It is has a beveled wooden tool on one end and a faceting tool on the other! Wire tension is fully adjustable with knob on the side! Made of fine quality oiled hardwood, stainless steel wire and brass components.
