Cone 6: Coral Sands is a semi-opaque gloss glaze that displays shades of orange, yellow, and pink. The variation of glaze depends on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent where thinner and pool darker around surface textures. Cone 10: Color changes to pink/brown.
Cone 6: Cordovan develops a deep, burgundy red color with a semi-gloss surface when fired to cone 5 or 6. Cordovan produces a brick or iron red on white and red midrange clay bodies. Cone 10: Color changes to a dark metallic gray with copper/black mottling. TIP: Two coats should be plenty to get deep red, opaque coverage; light glazers may need to add a third coat.
Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss corn flower blue finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): No color change. Breaks over texture.
Cone 06 oxidation (first photo): Cosmic Black is a translucent gray base glaze with white crystals that bloom and small blue specks.
Cone 6 oxidation (second photo): Base glaze fades – crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (larger image): Cotton Tail is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (smaller image): Opaque. No color change.
Cone 10 Reduction (third image)
Cone 06 oxidation (larger image): Crackerjack Brown is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (smaller image): Semi-Transparent. Streaky. Color lightens to a slightly darker SC-5 Tiger Tail.
Cone 10 Reduction (third image)
Cone 06: Clean, clear surface and gloss finish. Luster compatible. Cone 6: No change. TIP: S-2101 may not be compatible with all red clays as a blueish haze may appear after firing.
Cone 06: Clean, clear surface and gloss finish. Luster compatible. Cone 6: No change. TIP: S-2101 may not be compatible with all red clays as a blueish haze may appear after firing.
Cone 06 oxidation (first photo): This soft translucent coral glaze adds a tint of color to your work, allowing surface textures or design to show through.
Cone 6 oxidation (second photo): Color completely fades.
Cone 06 oxidation (first image): Cutie Pie Coral is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Dandelion is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Transparent. Color lightens to a light SC-42 Butter Me Up.
Cone 10 Reduction (third image)
Cone 06 oxidation (first photo): Dark Amethyst is a glossy, mottled glaze with dark purple and taupe. It has a dark brown stain.
Cone 6 oxidation (second photo): Color changes to a semi-translucent, variegated brown/green/blue that breaks over texture and pools blue. Enhanced mobility. Surface issues may occur.
TIP: This glaze will move slightly with three coats. Overglaze compatible.
Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss dark blue finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): No color change. Breaks over texture.
Cone 6 oxidation (larger image): Dark Brown Engobe fires matte brown. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6: Dark Green Gloss is a highly-pigmented emerald green gloss glaze. The stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temperatures.
Cone 10: No change.
Cone 06 oxidation (first photo): Day Lily is a translucent coral base glaze with large yellow, orange, and black crystals.
Cone 6 oxidation (second photo): Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss deep red finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): No color change. Breaks over texture. Surface issues may occur.
Cone 06 oxidation (first photo): Denim blue is a glossy, blueish gray glaze with the look of denim that has fine dark blue specks. Semi-Transparent at 2 – 3 coats..
Cone 6 oxidation (second photo): No color change. Enhanced mobility. Surface issues may occur.
TIP: Overglaze compatible.
Cone 6: Desert Dusk is a warm amber matte glaze with crystals that melt into a glossy purple and blue. Heavier crystal application will produce more color variation.
Cone 10: Glossy purple/blue is more prominent. Increased movement. TIP: SW-173 Amber Quartz is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-173 Amber Quartz with a third coat of SW-180 Desert Dusk.
Contains six 1.25 oz bottles of the best selling Designer Liner colors. Includes:SG-401 BlackSG-402 WhiteSG-403 RedSG-404 BlueSG-406 BrownSG-408 Bright Green Designer Liner is clay based and heavily pigmented. The metal writer tip allows for ultimate control to draw ultra-fine or bold lines, typography and intricate illustration, or apply with a brush to create watercolor or ink wash effects. Designer Liner will fire matte when glaze is not applied over top.
Cone 06: Use this versatile product to create green fine detail with lines, dots, and letters. Cone 6: No color change. TIP: If applying a clear glaze, use SW-004 Zinc Free Clear for cone 6.
Cone 06 oxidation (first image): Down to Earth is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 Reduction (third image)
