Glazes in this category are designed to fire from cone 4-6, however some have differening ranges. You can use the "firing range" filter as well as filters for Brand, Color, Surface, Visual Effect or manufacturer's glaze series to narrow down your choices
Many glazes in bulk sizes (gallons and dry) will be shipped from the manufacturer.
Cone 6: Shipwreck is an aquamarine gloss glaze that contains an iron crystal. As the crystal melts, a small iron speck appears. The glaze appears mysterious like underwater footage.
Cone 10: Color darkens. TIP: SW-212 Peacock is the base glaze.For a lighter crystal effect, you may try applying two coats of SW-212 Peacock with a third coat of SW-54 Shipwreck.
Cone 06 oxidation (first image): Silvering Lining is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color No change.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Slime Time is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color turns dark green.
Cone 10 reduction (third image)
Satin Matte Black is an opaque, buttery black glaze that accentuates textured ware and boasts a classic art deco appearance. Add SM-1 to other Satin Matte glazes to create shades of each color.
Satin Matte Stone is an opaque taupe glaze that looks and feels as smooth as the perfect skipping stone. When applied over texture, it breaks over the edges while retaining its smooth appearance. Safety Warning Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.
Satin Matte Marble is a semi-opaque, pale gray glaze with just a whisper of color. It breaks over edges and enhances textured ware while possessing a classic overall look. Safety Warning Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.
Clear Satin is a smooth, buttery zinc-free clear glaze that accentuates textured ware and boasts a classic art deco appearance. Add SM-10 to other Satin Matte colors to create softer tones. Use 2 coats over underglazes for a more translucent result. Zinc-free.Some underglaze colors may be muted with SM-10 Clear Satin:
V-370 Velour Black
V-361 Jet Black
V-316 Light Pink
Satin Matte White is an opaque, buttery white glaze accentuates textured ware and boasts a classic art deco appearance. Add SM-11 to other Satin Matte glazes to created tinted colors.
Satin Matte Seafoam is a semi-opaque, aqua glaze that evokes a sense of tranquility like an ocean breeze. It breaks gently over edges, accentuating textured ware while maintaining a silky, clean appearance. Safety Warning Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.
Satin Matte Moss is an opaque, olive green glaze resembling dark, meadowy moss, as the name suggests. This glaze likes to hug the edges, accentuating texture. Safety Warning Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.
Satin Matte Goldenrod is an opaque, warm yellow glaze like a summer flower. This glaze likes to hug the edges, accentuating texture. Safety Warning Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.
Satin Matte Cayenne is a semi-opaque, spicy red glaze with an earthy tone that resembles terracotta. It breaks slightly over the edges, accentuating textured ware while maintaining a clean appearance. Safety Warning Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.
Cone 6: Smoke is an opaque grey-blue stoneware glaze with soft, subtle variegating hues. Application thickness strongly influences the fired color; surface texture will also produce variegation during the firing. Cone 10: Color changes to a variegated sage green with a glossy finish. TIP: One coat creates a blue-grey haze over a weathered brown; Two coats intensify the grey cast while Three coats intensify the overall grey-blue opaque finish. Brown breaks on raised surfaces on the body.
A specialized glaze with a carefully balanced formula, creating true reduction copper red in your electric kiln. Snowy Plum uses a chemical that reduces the glaze locally, and must be applied very thick for the reduction to work. Care should be taken to prevent running.
Single or double dip (4-5 coats brushed) Snowy Plum has components that cause it to reduce locally. It is slightly runny, but needs to be quite thick to develop the red color, and may run under some firing conditions. It tends to produce better color in low-oxygen conditions (i.e. a tightly packed kiln with all the peepholes closed). Tends to work better in a fast firing. This glaze is temperamental (as are all copper reds), but is worth some effort.
A mottled charcoal gray that looks excellent on dinnerware, Sorcerer's Stone is a consistent favorite at the Coyote studio. Depending on the clay it can vary from almost black to light gray, sometimes even breaking blue or brown on texture.
Fantasy Glazes can vary dramatically in appearance depending on the clay body used, the thickness of application, and in some cases, the firing. They can be runny, so it's important to test carefully.
Cone 06 oxidation (first image): Sour Apple is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 (second image): Semi-Transparent. Color slightly lightens to SC-78 Lime Light.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Blue Yonder is a heavily pigmented, viscous Stroke & Coat® glaze with white specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. Color slightly lightens. Specks remain same.
Cone 10 reduction (third image)
Cone 6 oxidation (larger image): Speckled Buff Engobe fires matte ivory with brown speckles. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve v in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 06 oxidation (first image): Speckled Cotton Tail is a heavily pigmented, viscous Stroke & Coat® glaze with yellow, orange and blue specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Specks blur and slightly bleed.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Speckled Grapel is a heavily pigmented, viscous Stroke & Coat® glaze with blue specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Transparent. Color Slightly lightens. Specks bleed.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Green Thumb is a heavily pigmented, viscous Stroke & Coat® glaze with black specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Hot Tamale is a heavily pigmented, viscous Stroke & Coat® glaze with white specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color lightens to medium brown. Specks remain.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Jaded is a heavily pigmented, viscous Stroke & Coat® glaze with yellow, orange and blue specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color lightens to medium brown. Specks remain.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Speckled Moody Blue is a heavily pigmented, viscous Stroke & Coat® glaze with white specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color lightens to medium brown. Specks remain.
Cone 10 Reduction (third image)
Cone 06 oxidation (first image): Speckled My Blue Heaven is a heavily pigmented, viscous Stroke & Coat® glaze with blue specks that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color lightens to medium brown. Specks remain.
Cone 10 Reduction (third image)
