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Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss periwinkle pastel blue finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): No color change.
Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss heather purple finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): Color lightens.
Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss bubblegum pink finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): Color lightens
Cone 6 oxidation: Micro Ash is a glossy, translucent, variegated charcoal glaze with a periwinkle float that breaks over texture. Blooms of shimmering onyx micro-crystallization will develop during the firing process.
Cone 10 reduction: Glaze darkens. TIP: This glaze is fluid at 3 coats. Recede application to avoid unwanted runoff. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Ash achieves a stable, semi-opaque, warm charcoal result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation: Micro Cerulean is a glossy, translucent, medium blue glaze with an aqua float that breaks over texture. Blooms of shimmering blue micro-crystallization will develop during the firing process.
Cone 10 reduction: Glaze turns to a variegated grey/blue. TIP: This glaze is stable at 3 coats. Additional coats or increased application thickness may result in movement. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Cerulean achieves a stable, semi-opaque, deep blue result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation: Micro Jade is a glossy, translucent, jade green glaze with a turquoise float that breaks over texture. Blooms of shimmering bronze micro-crystallization will develop during the firing process.
Cone 10 reduction: Glaze turns to a variegated brown. TIP: This glaze is fluid at 3 coats. Recede application to avoid unwanted runoff. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Jade achieves a stable, semi-opaque olive result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation: Micro Champagne is a glossy, translucent amber glaze with a mauve float that breaks over texture. Blooms of shimmering gold micro-crystallization will develop during the firing process.
Cone 10 reduction: Glaze darkens. TIP: This glaze is fluid at 3 coats. Recede application to avoid unwanted runoff. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Champagne achieves a stable, semi-opaque, golden-amber result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation: Micro Pearl is a glossy, semi-opaque white glaze with lilac undertones that breaks over texture. Iridescent micro-crystallization in shades of lilac and pale yellow will develop during the firing process.
Cone 10 reduction:Glaze darkens to blue, purple and white variegation. TIP: This glaze is stable at 3 coats. Additional coats or increased application thickness may result in movement. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro-Pearl achieves a stable, semi-opaque, frosted white result with a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation (larger image): Opal Lustre is a glossy, semi-opaque glaze that displays variegated shades of blues, greens, and purples. Breaks warm brown over texture. Cone 10 reduction (smaller image): Color flattens, and warm undertones come through. TIP: This glaze is semi-fluid at 3 coats. Additional coats or increased application thickness may result in movement. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6: Purple Aster is a glossy, semi-opaque lavender glaze that breaks over texture and develops a pale violet frost; deep blue crystals melt into cascading blossoms of indigo.
Cone 10: Color darkens slightly. No change to crystals. TIP: This glaze is fluid; Apply receding coats to avoid runoff on vertical pieces and practice caution in combination. Prone to pinholes when fired on manganese clay bodies.
Cone 6 oxidation (larger image): Black Engobe fires matte black. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation (larger image): Dark Brown Engobe fires matte brown. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation (larger image): Brick Red Engobe fires matte red/brown. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve v in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation (larger image): Speckled Buff Engobe fires matte ivory with brown speckles. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve v in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation (larger image): White Engobe fires matte white. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve variability in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Clementine is a bright orange that adds a warm pop to any palette. It is also a Texas Two Step Overcoat, which can be layered with one of the six Two Step Undercoats to produce an oilspot effect.
A deep dark purple. Great on its own as a base or accent color, the Mulberry is a Texas Two-Step undercoat, and will create oilspot effects when covered with one of the overcoats.
A bright sea green. Great on its own as a base or accent color, the Fern is a Texas Two-Step undercoat, and will create oilspot effects when covered with one of the overcoats.
The Dipping and Layering glazes are new, easy-to-use mid-range dry dipping glazes that were designed to be dipped and layered with ease. These glaze colors are inspired by popular layering colors from the Potter's Choice glaze series.
Quick mixing! Pre-measured, dry dipping materials. Simply add one gallon of distilled water per 1 bag of dry materials!
Each glaze bag produces roughly 1.25 gallons or at least 10 pints worth of glaze!
The glazes are perfect for the studio or classroom! Easy application and faster than brushing with consistent and reliable results!
The Dipping and Layering glazes are new, easy-to-use mid-range dry dipping glazes that were designed to be dipped and layered with ease. These glaze colors are inspired by popular layering colors from the Potter's Choice glaze series.
Quick mixing! Pre-measured, dry dipping materials. Simply add one gallon of distilled water per 1 bag of dry materials!
Each glaze bag produces roughly 1.25 gallons or at least 10 pints worth of glaze!
The glazes are perfect for the studio or classroom! Easy application and faster than brushing with consistent and reliable results!
The Dipping and Layering glazes are new, easy-to-use mid-range dry dipping glazes that were designed to be dipped and layered with ease. These glaze colors are inspired by popular layering colors from the Potter's Choice glaze series.
Quick mixing! Pre-measured, dry dipping materials. Simply add one gallon of distilled water per 1 bag of dry materials!
Each glaze bag produces roughly 1.25 gallons or at least 10 pints worth of glaze!
The glazes are perfect for the studio or classroom! Easy application and faster than brushing with consistent and reliable results!
The Dipping and Layering glazes are new, easy-to-use mid-range dry dipping glazes that were designed to be dipped and layered with ease. These glaze colors are inspired by popular layering colors from the Potter's Choice glaze series.
Quick mixing! Pre-measured, dry dipping materials. Simply add one gallon of distilled water per 1 bag of dry materials!
Each glaze bag produces roughly 1.25 gallons or at least 10 pints worth of glaze!
The glazes are perfect for the studio or classroom! Easy application and faster than brushing with consistent and reliable results!
The Dipping and Layering glazes are new, easy-to-use mid-range dry dipping glazes that were designed to be dipped and layered with ease. These glaze colors are inspired by popular layering colors from the Potter's Choice glaze series.
Quick mixing! Pre-measured, dry dipping materials. Simply add one gallon of distilled water per 1 bag of dry materials!
Each glaze bag produces roughly 1.25 gallons or at least 10 pints worth of glaze!
The glazes are perfect for the studio or classroom! Easy application and faster than brushing with consistent and reliable results!
The Dipping and Layering glazes are new, easy-to-use mid-range dry dipping glazes that were designed to be dipped and layered with ease. These glaze colors are inspired by popular layering colors from the Potter's Choice glaze series.
Quick mixing! Pre-measured, dry dipping materials. Simply add one gallon of distilled water per 1 bag of dry materials!
Each glaze bag produces roughly 1.25 gallons or at least 10 pints worth of glaze!
The glazes are perfect for the studio or classroom! Easy application and faster than brushing with consistent and reliable results!
The Dipping and Layering glazes are new, easy-to-use mid-range dry dipping glazes that were designed to be dipped and layered with ease. These glaze colors are inspired by popular layering colors from the Potter's Choice glaze series.
Quick mixing! Pre-measured, dry dipping materials. Simply add one gallon of distilled water per 1 bag of dry materials!
Each glaze bag produces roughly 1.25 gallons or at least 10 pints worth of glaze!
The glazes are perfect for the studio or classroom! Easy application and faster than brushing with consistent and reliable results!
The Dipping and Layering glazes are new, easy-to-use mid-range dry dipping glazes that were designed to be dipped and layered with ease. These glaze colors are inspired by popular layering colors from the Potter's Choice glaze series.
Quick mixing! Pre-measured, dry dipping materials. Simply add one gallon of distilled water per 1 bag of dry materials!
Each glaze bag produces roughly 1.25 gallons or at least 10 pints worth of glaze!
The glazes are perfect for the studio or classroom! Easy application and faster than brushing with consistent and reliable results!
