Welcome to our new site. We hope you enjoy it. We are in our final testing to make sure everything is ready for you to come and SHOP. Look around all you like, we'll be officially open over here 12/26/24!
Application on bisque ware or leather hard or greenware. Bone dry pots can be very delicate and susceptible to breaking so it's not advised to apply transfers at this point, but it's possible. Hold the oxide bearing side of the decal against the pot. Stroke paper with wet brush to transfer. You might need to use a rubber rib to transfer 100% of the oxide from the paper to pot. Peel away the paper.
Application on bisque ware or leather hard or greenware. Bone dry pots can be very delicate and susceptible to breaking so it's not advised to apply transfers at this point, but it's possible. Hold the oxide bearing side of the decal against the pot. Stroke paper with wet brush to transfer. You might need to use a rubber rib to transfer 100% of the oxide from the paper to pot. Peel away the paper.
Application on bisque ware or leather hard or greenware. Bone dry pots can be very delicate and susceptible to breaking so it's not advised to apply transfers at this point, but it's possible. Hold the oxide bearing side of the decal against the pot. Stroke paper with wet brush to transfer. You might need to use a rubber rib to transfer 100% of the oxide from the paper to pot. Peel away the paper.
Application on bisque ware or leather hard or greenware. Bone dry pots can be very delicate and susceptible to breaking so it's not advised to apply transfers at this point, but it's possible. Hold the oxide bearing side of the decal against the pot. Stroke paper with wet brush to transfer. You might need to use a rubber rib to transfer 100% of the oxide from the paper to pot. Peel away the paper.
Application on bisque ware or leather hard or greenware. Bone dry pots can be very delicate and susceptible to breaking so it's not advised to apply transfers at this point, but it's possible. Hold the oxide bearing side of the decal against the pot. Stroke paper with wet brush to transfer. You might need to use a rubber rib to transfer 100% of the oxide from the paper to pot. Peel away the paper.
Cone 06 oxidation (first photo): Cherry Limeade is an opaque chartreuse base with red and light blue crystals.
Cone 6 oxidation (second photo): Base glaze maintains color; crystals cascade. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (first photo): Maroon Lagoon is a semi-translucent maroon base glaze with dark green and black crystals.
Cone 6 oxidation (second photo): Base glaze fades to white; crystals cascade. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (first photo): Blueberry Bubblegum is an opaque bright blue base with orange, yellow, and blue crystals.
Cone 6 oxidation (second photo): Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (first photo): Purple Reign is an opaque light purple base glaze with purple and clear crystals and dark blue specks.
Cone 6 oxidation (second photo): Base glaze fades to blue; crystals cascade. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (first photo): Day Lily is a translucent coral base glaze with large yellow, orange, and black crystals.
Cone 6 oxidation (second photo): Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (first photo): Peach Party is an opaque peach base glaze with large red, blue, and yellow crystals.
Cone 6 oxidation (second photo): Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (first photo): Blue Guppy is a semi-translucent teal base with black and variegated olive metallic crystals.
Cone 6 oxidation (second photo): Base glazes darkens; crystals cascade. Enhanced mobility. Surface issues may occur.
one 06 oxidation (first photo): Barry Tart is a semi-translucent pink base glaze with red, purple, and white crystals.
Cone 6 oxidation (second photo): Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.
Application on bisque ware or leather hard or greenware. Bone dry pots can be very delicate and susceptible to breaking so it's not advised to apply transfers at this point, but it's possible. Hold the oxide bearing side of the decal against the pot. Stroke paper with wet brush to transfer. You might need to use a rubber rib to transfer 100% of the oxide from the paper to pot. Peel away the paper.
Application on bisque ware or leather hard or greenware. Bone dry pots can be very delicate and susceptible to breaking so it's not advised to apply transfers at this point, but it's possible. Hold the oxide bearing side of the decal against the pot. Stroke paper with wet brush to transfer. You might need to use a rubber rib to transfer 100% of the oxide from the paper to pot. Peel away the paper.
One custom silkscreened underglaze rice paper transfer sheet for use on greenware or bisque pottery. These extra large sheets come with a usable area of 19" long x 13" wide compared to the more common 8.5" X 6.5" sheet, making them excellent for larger plates and cutting into strips to wrap all the way around a few mugs. They can can be fired to any temperature and work well in gas, wood, or electric firings. I typically fire to cone 6 with a zinc free clear glaze on top. I have also fired them to cone 11 in a reduction kiln with great success. For specific design and color please see photo and listing title. These decals are designed and made exclusively for Elan Pottery.
One custom silkscreened underglaze rice paper transfer sheet for use on greenware or bisque pottery. These extra large sheets come with a usable area of 19" long x 13" wide compared to the more common 8.5" X 6.5" sheet, making them excellent for larger plates and cutting into strips to wrap all the way around a few mugs. They can can be fired to any temperature and work well in gas, wood, or electric firings. I typically fire to cone 6 with a zinc free clear glaze on top. I have also fired them to cone 11 in a reduction kiln with great success. For specific design and color please see photo and listing title. These decals are designed and made exclusively for Elan Pottery.
Indigo underglaze is a deep purple-blue color at cone 05 and darkens under a clear glaze. When fired to cone 5, it becomes more blue in color and then darkens slightly at cone 10.
Sea Glass Blue underglaze is a very pale blue-green color at cone 05 and becomes richer and darker under a clear glaze. It remains the same at cone 5, but fired to cone 10 becomes more blue.
Blood Orange Underglaze is a fiery tangerine color at Cone 05 which intensifies under a clear glaze. When fired to Cone 5 and Cone 10, it becomes slightly darker. May bubble with HF-9 Zinc-Free Clear at cone 5, use HF-10 Clear glaze to prevent bubbles.
Nectar underglaze is a warm yellow color like honeysuckle flowers at cone 05 and becomes more light amber under a clear glaze. It slightly intensifies at cone 5 and cone 10.
Solar Rainbow is a highly fluid, dark gloss glaze with iridescent rainbow crystals. Breaks translucent. Apply to: Cone 04 Bisqueware Number of coats: 4 coats This glaze performs best at cone 6 but can be fired to cone 5. For best results, leave the inside or back of the form unglazed. Can be fired in a normal medium-speed firing with no special cooling schedule required. To take this glaze to the next level, use a controlled cooling schedule for increased crystal growth. These glazes are prone to running so we recommend stopping your glaze about half an inch above the foot. You can also use a drip tray or soft bricks to protect kiln shelves.
Firing schedule:
Cone 5 = 1184 °C (at 150°C/hour for the final 100°C of firing) / 2201°F ( at 270°F/hour in the final 200°F of firing)
Cone 6 = 1241°C (at 150°C/hour for the final 100°C of firing) / 2266°F ( at 270°F/hour in the final 200°F of firing)
Mars Crystal is a highly fluid, dark brick red glaze with silvery, iridescent crystals. Opaque and breaks darker. Apply to: Cone 04 Bisqueware Number of coats: 4 coats This glaze performs best at cone 6 but can be fired to cone 5. For best results, leave the inside or back of the form unglazed. Can be fired in a normal medium-speed firing with no special cooling schedule required. To take this glaze to the next level, use a controlled cooling schedule for increased crystal growth. These glazes are prone to running so we recommend stopping your glaze about half an inch above the foot. You can also use a drip tray or soft bricks to protect kiln shelves
Firing schedule:
Cone 5 = 1184 °C (at 150°C/hour for the final 100°C of firing) / 2201°F ( at 270°F/hour in the final 200°F of firing)
Cone 6 = 1241°C (at 150°C/hour for the final 100°C of firing) / 2266°F ( at 270°F/hour in the final 200°F of firing)
Dark Star is a fluid, dark matte glaze with iridescent crystals like a beetle shell. Breaks translucent. Apply to: Cone 04 Bisqueware Number of coats: 4 coats This glaze performs best at cone 6 but can be fired to cone 5. For best results, leave the inside or back of the form unglazed. Can be fired in a normal medium-speed firing with no special cooling schedule required. To take this glaze to the next level, use a controlled cooling schedule for increased crystal growth. These glazes are prone to running so we recommend stopping your glaze about half an inch above the foot. You can also use a drip tray or soft bricks to protect kiln shelves.
Firing schedule:
Cone 5 = 1184 °C (at 150°C/hour for the final 100°C of firing) / 2201°F ( at 270°F/hour in the final 200°F of firing)
Cone 6 = 1241°C (at 150°C/hour for the final 100°C of firing) / 2266°F ( at 270°F/hour in the final 200°F of firing)
