
Mayco’s Stoneware glaze assortment, including Classic, Matte, Crystal, and Gloss, offers a variety of finishes, textures and endless possibilities for glaze combinations. Available in both liquid and dry.
Mayco’s Stoneware glaze assortment, including Classic, Matte, Crystal, and Gloss, offers a variety of finishes, textures and endless possibilities for glaze combinations. Available in both liquid and dry.
Cone 6 oxidation: Black Walnut is a dark brown soft matte glaze that breaks a rich warm brown. Cone 10 reduction: Rich brown undertones come through. TIP: The thinner the application, the lighter brown the color. The thicker the application, the darker the brown color. For a saturated opaque finish, apply 4+ coats. Has a satin finish. ***for more color combinations, visit mayco's website https://www.maycocolors.com/product/sw-104-black-walnut/
$13.25
Cone 6: Manganese Wash fires to a warm metallic finish that breaks brown over texture. Cone 10: No change.
$4.75
Cone 6: Olive Float is a dark green gloss glaze that contains a light green crystal. It is a dazzling glaze that mimics crystalline glazes without the fuss of complicated kiln programing! Cone 10: Color changes to red. Crystals remain. TIP: SW-210 Emerald is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-210 Emerald with a third coat of SW-151 Olive Float.
$17.00
Cone 6 oxidation: Micro Jade is a glossy, translucent, jade green glaze with a turquoise float that breaks over texture. Blooms of shimmering bronze micro-crystallization will develop during the firing process. Cone 10 reduction: Glaze turns to a variegated brown. TIP: This glaze is fluid at 3 coats. Recede application to avoid unwanted runoff. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Jade achieves a stable, semi-opaque olive result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
$15.25
Cone 6 oxidation (larger image): Dark Brown Engobe fires matte brown. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
$15.25
Cone 6 oxidation (larger image): Speckled Buff Engobe fires matte ivory with brown speckles. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve v in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
$15.25
Cone 6 oxidation (large photo): Rose quartz is a glossy, opaque, variegated pink glaze that breaks over texture. Pastel pink micro-crystallization may develop on vertical surfaces. Cone 10 reduction (small photo): Glaze darkens and desaturates to a dusty rose with red and mauve variegation and white micro-crystallization. Breaks mauve grey over texture. TIP: This glaze is fluid; Apply receding coats to avoid run off on vertical pieces and practice caution in combination. Over-application of Rose Quartz can cause surface issues. Thin application results in vibrant pink; light pink variegation develops with additional application. The micro-crystallization effect is enhanced in a rapidly cooling kiln.
$17.00
Cone 6: Rainforest is a soft matte, emerald green glaze that will pool dark and glossy and break a light brown. Cone 10: Color changes to light brown with green variation where thick/pooling. Increased movement. Tip: This glaze can be very mobile; Recede coats to avoid run off on vertical pieces and practice caution in combination. Note: Not recommended for dinnerware due to surface durability.
$15.25
Cone 6: Gray Opal creates a transparent gloss finish. It deepens in color from one coat to three but surface decoration and design remain visible through theglaze even with three coats. The glaze will break and pool around surface textures, creating opportunities for the opalescent character to develop. Cone 10: Color lightens; becomes more transparent. TIP: Thinner application will provide a glossy transparent finish. Thicker application will provide blue white floating. Surface decoration will be visible under the glaze, but if you apply the glaze thick, it could blur your image.
$17.00
Cone 6: Melon provides a translucent, light coral gloss color. You will produce beautiful color variations with Coral without the glaze running off your ware during firing. Designed to provide a hint of color with one coat, deeper color with two to three coats - but remaining translucent. Cone 10: Color lightens. TIP: One coat allows more of the clay body characteristics to appear through the glaze, adding a faint color gloss to the surface. Subsequent coats deepen the coral color but at three coats you will still obtain a translucent fired surface. Four+ coats will produce more opacity and less translucency.
$17.00
Cone 6: Mirror Black creates a highly reflective, metallic black gloss finish. On some vertical surfaces and around surface textures, minor matte effects can be seen; all other applications result in the formation of a black, metallic mirror. Cone 10: Finish flattens. Color remains. Increased movement. TIP: This glaze WILL move. Take care when using on vertical pieces – reduce glaze thickness towards the bottom third to minimize run-off.
$17.00
Cone 6: Black Gloss is a highly-pigmented true black gloss glaze. The stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temperatures. Glaze turns to satin gloss at cone 5 and high gloss at cone 6. Cone 10: Exhibits some blue hues.
$15.25
Cone 6: Red Gloss is a highly-pigmented scarlet red gloss glaze. The stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temperatures. Cone 10: Color darkens.
$17.00
Cone 6: Glacier Blue provides a translucent, light blue gloss color. You will produce beautiful color variations with Glacier Blue without the glaze running off your ware during firing. Designed to provide a hint of color with one coat, deeper color with two to three coats - but remaining translucent. Cone 10: Color lightens. TIP: One coat allows more of the clay body characteristics to appear through the glaze, adding a faint color gloss to the surface. Subsequent coats deepen the blue color but at three coats you will still obtain a translucent fired surface. Four+ coats will produce more opacity and less translucency.
$15.25
Cone 6: Maycoshino is a variegating iron glaze with subtle color changes. In a thin application, the user will achieve rich, iron browns. Applied thicker, the user will get lighter, creamy hues which are reminiscent of traditional Japanese shino glazes. This glaze is wonderful on any surface, any color clay body. Cone 10: Color darkens to a gray/brown. TIP: One coat produces a solid reddish brown opaque covering; Two coats produces a cream-tan-buff finish that breaks brown over surface texture; Three coats significantly introduces waves of cream-tan color over the reddish brown base.
$17.00
Cone 6: Cinnabar is a rich maroon-red gloss glaze that tends to develop a hazy purple float with heavier application. Cone 10: Color darkens. TIP: One to two coats will produce an opaque maroon-red; three+ coats will produce higher levels of purple float. You’ll produce beautiful color variations with Cinnabar without the glaze running off your ware during a cone 6 oxidation firing.
$17.00
Peacock Matte develops a matte copper color with various iridescent shades of blue and purple following a proper raku firing. Due to the unpredictable nature of this firing technique, results will vary with every firing.
$13.25
Cone 6: Wintergreen is a light-green, semi-opaque satin matte glaze at cone 6. Lighter coatings will allow body characteristics to appear through the glaze (especially on dark and speckled clay bodies). Use three coats to achieve the deepest opacity. Cone 10: Changes to a transparent pale green gloss with matte crystal growth. TIP: This is a true matte glaze at cone 5, becomes satin at cone 6.
$13.25
Cone 6: Cobalt Wash fires to a rich cobalt blue with a glossy finish. Cone 10: Color darkens; showcases black/navy metallic.
$4.75
Cone 6: Rutile Wash fires to an opaque pale burnt orange with a smooth matte finish. Cone 10: No change.
$4.75 $3.80
Includes a 4oz sample of each of the 9 new stoneware glazes plus a 4oz sample of Mayco's kiln wash
$25.00
Cone 6 results: Sparkle Black Engobe fires matte black with metallic specks. Specks may produce texture. Highly stable. Cone 10 reduction: No change to base color. Specks bloom and become matte. Remains stable. Tip: To enhance the sparkle and improve texture, use your fingers to burnish/polish the surface of the ware before the last layer is dry. Polishing is not needed when used in combination.
$15.25 $12.20
Cone 6: Galaxy is a semi-transparent charcoal colored gloss glaze that contains a three-tone white, orange, and blue crystal. As the crystal melts, a brilliant bloom of white, orange, and blue appears. The glaze is reminiscent of a star being born. Cone 10: Crystals and base showcase more blue hues. Crystals melt. TIP: SW-209 Charcoal is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-209 Charcoal with a third coat of SW-156 Galaxy.
$17.00
Cone 6: Indigo Rain is a matte white glaze that contains a two-toned purple and violet crystal. As the crystal melts, a purple crystal with violet specks appears. The glaze has a soft subtle beauty. Cone 10: Color darkens to variegated light gray/purple. Crystals melt. TIP: SW-106 Alabaster is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-106 Alabaster with a third coat of SW-153 Indigo Rain.
$17.00
Cone 6: Blue Splatterware is a white, semi-matte glaze that contains a blue crystal. As the crystal melts it creates small blue blooms that cause the glaze to resemble the look of 19th century enamelware. Cone 10: Crystals become less defined. TIP: SW-141 White Matte is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-141 White Matte with a third coat of SW-152 Blue Splatterware.
$17.00
Cone 6: Midnight Rain is a blue-green breaking gloss glaze that contains a black crystal. As the crystal melts and moves, a black oil-like streak is created in the glaze. Cone 10: Crystals melt and integrate into base glaze, darkening the color. Increased movement. TIP: SW-100 Blue Surf is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-100 Blue Surf with a third coat of SW-115 Midnight Rain.
$17.00
Cone 6: Muddy Waters is a matte brown glaze with crystals that melt into a glossy blue. Heavier crystal application will produce more color variation. Cone 10: Glossy blue becomes more prominent. Increased movement. TIP: SW-174 Leather is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-174 Leather with a third coat of SW-179 Muddy Waters.
$15.25
Cone 6 oxidation: Micro Champagne is a glossy, translucent amber glaze with a mauve float that breaks over texture. Blooms of shimmering gold micro-crystallization will develop during the firing process. Cone 10 reduction: Glaze darkens. TIP: This glaze is fluid at 3 coats. Recede application to avoid unwanted runoff. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Champagne achieves a stable, semi-opaque, golden-amber result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
$15.25
Cone 6 oxidation: Micro Pearl is a glossy, semi-opaque white glaze with lilac undertones that breaks over texture. Iridescent micro-crystallization in shades of lilac and pale yellow will develop during the firing process. Cone 10 reduction:Glaze darkens to blue, purple and white variegation. TIP: This glaze is stable at 3 coats. Additional coats or increased application thickness may result in movement. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro-Pearl achieves a stable, semi-opaque, frosted white result with a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
$15.25
Cone 6 oxidation (larger image): Brick Red Engobe fires matte red/brown. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve v in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
$15.25
Cone 6: Brown Gloss is a glossy, opaque, rich brown glaze that is highly pigmented and formulated for stable design work at midrange temperatures and above. Cone 10: Color shifts to olive-brown. The glaze remains stable. TIP: This glaze is stable, even with heavy application. Can be mixed with other Stoneware Gloss glazes (SW-500 series) to produce additional stable and opaque colors. Layer design work with other Stoneware Gloss series colors to create crisp images that won’t blur or require a clear glaze.
$17.00
Cone 6 oxidation (large photo): Geologically inspired with mottled earth tones, Fossil Rock is an opaque, tan, matte glaze that breaks over texture. Cone 10 reduction (small photo): Glaze shifts ivory with soft gray and warm brown marbling. Breaks slate gray over texture. Glaze remains stable. TIP: This glaze is generally stable at 3 coats. Additional coats or increased application thickness may result in glaze movement. We recommend firing our matte glazes to cone 6 to produce a satin matte finish.
$17.00
Cone 6: Emerald provides a translucent green gloss color. You will produce beautiful color variations with Emerald without the glaze running off your ware during firing. Designed to provide a hint of color with one coat, deeper color with two to three coats - but remaining translucent. Cone 10: Color changes to red in a heavy reduction. TIP: One coat allows more of the clay body characteristics to appear through the glaze, adding a faint color gloss to the surface. Subsequent coats deepen the green color but at three coats you will still obtain a translucent fired surface. Four+ coats will produce more opacity and less translucency.
$17.00
Cone 6: Antique Brass is a soft matte, metallic brass glaze that breaks charcoal. Cone 10: Brass finish becomes brighter and more metallic. Increased movement.
$17.00
Cone 6: Abalone is formulated to produce a breaking white and mauve semi-gloss glaze. Light applications will produce a more white semi-gloss finish. Use three+ coats to achieve semi-gloss Abalone finish. Clay body characteristics will be visible through this glaze. Cone 10: Color darkens to purple.
$17.00
Cone 6: Purple Mint is a gloss glaze that produces greens and purples, reacting strongly to surface textures. On flat, smooth surfaces lighter coats will find greens breaking through a light layer of purple. As more coats are added purple will dominate the fired finish. On textured surfaces green will almost always appear on and around incised and raised areas. Cone 10: Color changes to a variegated blue. TIP: The thinner the application the more green the glaze will appear. The thicker the application the more purple the glaze will be.
$17.00 $13.60
Cone 6 oxidation (first image): Light Magma is a sand-colored, high-texture glaze that creates a rough, cratered surface. The thicker the application, the more textured the surface will be. Cone 10 reduction (second image): Texture slightly flattens. Color changes to a cream/gray. Cone 6 oxidation (third image): Dark Magma is a charcoal-colored, high-texture glaze that creates a rough, cratered surface. The thicker the application, the more textured the surface will be. Cone 10 reduction (fourth image): Texture slightly flattens. No change in color.
$16.75
Cone 6: Blue Gloss is a highly-pigmented royal blue gloss glaze. The stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temperatures. Cone 10: No change.
$15.25
Cone 6: Oxblood is a milky gloss and transparent glaze that pools red. Heavier application will produce more red. Cone 10: Gloss finish is enhanced and less milky. Red pooling is brighter. Tip: Must be applied thick for red variation to appear.
$15.25
Cone 6: Rusted Iron is a semi-matte, opaque glaze that displays shades of metallic orange and brown. The variation of the glaze is dependent on application. Thicker application results in metallic matte characteristics. Thinner application results in a smoother surface and darker color. Cone 10: Increased orange/copper mottling. Increased movement. TIP: This glaze WILL move. Take care when using on a vertical piece – reduce glaze thickness towards the bottom third to minimize run-off. Over application can cause pinholing or running.
$15.25
Cone 6: Coral Sands is a semi-opaque gloss glaze that displays shades of orange, yellow, and pink. The variation of glaze depends on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent where thinner and pool darker around surface textures. Cone 10: Color changes to pink/brown.
$15.25
Cone 6: Amber Topaz provides a translucent, light honey-blonde color. Designed to provide a hint of color with one coat, deeper color with two to three coats - but remaining translucent. Cone 10: Color changes to a transparent brown. TIP: One coat allows more of the clay body characteristics to appear through the glaze, adding a faint color gloss to the surface. Subsequent coats deepen the amber color but at three coats you will still obtain a translucent fired surface. Three+ coats will produce more opacity and less translucency. Heavy application may increase the incidence of crazing.
$13.25
Cone 6: Pink Matte is a semi-opaque matte pink glaze. Lighter coatings will allow body characteristics to appear through the glaze (especially on dark and speckled clay bodies). Cone 10: Changes to a soft pink translucent gloss. TIP: Lighter coatings will allow body characteristics to appear through the glaze (especially on dark and speckled clay bodies). Thicker application, three or more coats, will produce a more opaque finish.
$15.25
Cone 6 oxidation (first image): Crackle White is a bright white gloss glaze that develops a fine crackle pattern. Works well on stoneware and porcelain bodies and produces crackle patterns at midrange temperatures. Use India ink to highlight or accentuate crackle patterns. Cone 10 reduction (second image): Turns an orange-brown and pools white in texture when thick. The glaze does not crackle. Cone 6 oxidation (third image): Crackle Matte Clear is a soft matte, semi-transparent glaze that develops a fine crackle pattern. Cone 10 reduction (fourth image): No Change. TIP: A minimum of two coats are needed to develop a crackle pattern. To highlight the crackle pattern, after firing, wipe black acrylic or ink over the ware and wipe off, allowing the ink to fill the cracks.
$13.00 - $13.25
Cone 6: Lemon Meringue is designed to produce a bright yellow to white variegation depending on application. One coat will produce a bright yellow matte finish with little white variegation. Subsequent coats build a white variegation, muting the yellow. Cone 10: Off-white variation darkens. TIP: Thinned coats produce a bright yellow satin finish. Thick applications will increase white variegation. Brush stroke application is visible in finished results. We recommend applying coats on bisque in different directions (crosshatch). Although finish appears opaque, surface decoration can be easily seen through glaze.
$15.25
Cone 6: Dunes is a semi-opaque off-white soft matte glaze that breaks over texture. Cone 10: Color darkens to variegated gray. TIP: The lighter the application, the more brown the glaze will appear. The thicker the glaze application, the lighter tan the color.
$13.25
Cone 6 oxidation: Frost Blue is a mottled blue soft matte glaze that breaks a muted green/gray. Cone 10 reduction: Semi-gloss finish with variegated blue/light blue. Can exhibit green hues. TIP: Because of the chemical make up, this glaze can vary between a green and blue finish. It has a satin finish. If you like the results that Robins Egg (SW116) gives you, then you will enjoy this glaze because they are made up of similar things. ***for more glaze combinations, visit https://www.maycocolors.com/product/sw-105-frost-blue/
$13.25
Cone 6: Blue Surf is a variegated cobalt blue glazes that breaks green. Cone 10: Color darkens. TIP: The thinner the application the the more green the glaze will appear. The thicker the more blue it will be. Where the glaze breaks it will be green. ***Color combinations can be found on Mayco's website https://www.maycocolors.com/product/sw-100-blue-surf/
$15.25
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Mayco’s Stoneware glaze assortment, including Classic, Matte, Crystal, and Gloss, offers a variety of finishes, textures and endless possibilities for glaze combinations. Available in both liquid and dry.
One of the most distinctive traits of Mayco’s Stoneware is that the glazes provide consistent performance and intriguing visual interest. They are best known for being receptive and favorable to the user during both application and firing. Mayco Stoneware glazes are friendly to the user in application, layering and firing. Many glazes will break over textures, revealing secondary colors and shades. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired results.
Shake well. Apply 2-3 coats to wet clay, greenware, or cone 04 bisque for use in design or solid coverage. Fundamentals® have a firing range from cone 06 to cone 10. If the form you are painting has texture, dab excess color out of the texture, and never allow the glaze to pool in the texture. To intensify color or for use on dinnerware, apply a clear or matte clear glaze. For use on clay or greenware, apply underglaze, allow to dry, and fire to cone 04. If desired, apply clear glaze and re-fire to cones 06-05 for earthenware and cone 5-10 for stoneware (998°C–1285°C). For use on bisque, apply to cone 04 bisque, apply clear glaze if desired and re-fire earthenware to cone 06/05 and cone 5-10 for stoneware. Generally, a clear glaze finish is applied to bring out the true color and vividness of the product. We recommend S-2101 Clear for low-fire and SW-001 Stoneware Clear Glaze unless noted SW-004 Zinc-Free Clear for mid-range.
One coat of Mayco Stroke & Coat® will create a translucent finish with subsequent coats adding opacity. We suggest 2-3 coats for full opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze (such as NT-CLR Clear One Dipping Glaze or S-2101 Crystal Clear Brushing) can be added. For application on wet or leatherhard clay and firing to cone 04, colors will retain their vibrancy with huge time savings. We recommend leaving an area unglazed, such as the back or bottom of the unfired piece, to allow for out-gassing of the clay during the single-firing process. Limit glazes to 2 coats including design work.
Crystal glazes were designed to mature at cone 06/05. Shake the jar well and stir during the application process. Apply two to three even coats to shelf cone 04 bisque with a fan brush, allow to dry between coats. We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application. Stir frequently as crystals tend to settle in the jar due to their weight. Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom. Avoid heavy application of crystals at the bottom of ware as the crystals bloom and can adhere to the kiln shelves or stilts. The crystals in the glaze will melt when fired, which may create a textured surface. Jungle Gems™ Crystal Glazes have a natural crazing that occurs when the crystals “bloom”. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware.
Jungle Gems™ Crystal Glazes have been formulated to mature at cone 06/05. However can be fired at higher temperatures. Their performance at cone 6 is noted on each individual product label. Crystals tend to flow at higher temperatures so take care on vertical pieces. We recommend testing on your clay body and in your kiln prior to use.
Shake for 5-6 seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with your brush or decorating accessory of choice (sponge, stamp, etc.). Foundations® glazes were designed to mature at a shelf cone 06/05. Apply 2-3 coats, on cone 04 bisque, allowing surface to dry in-between coats. Foundations® dries quickly and speeds up your ability to handle or perform additional decorating. Glaze fires to high-gloss finishes (excludes mattes), therefore does not need to be clear glazed. When applying to a large surface, we recommend a broad, soft brush such as CB-604 #4 Soft Fan. Try to get the brush fully saturated (loaded) and apply each coat in the same direction to minimize brush marks.
Foundations® have been formulated to mature at cone 06/05. However most will maintain their color at higher temperatures. Their performance at cone 6 is noted on each individual product label. We recommend testing on your clay body and in your kiln prior to use.
Shake for five to six seconds before use. Dispense glaze onto a palette (tile, plate, etc.) and apply with a soft brush or decorating accessory of choice (sponge, stamp, etc.). Dipping your brush directly into the jar may contaminate the jar’s contents, especially if you are using other glazes. Apply three to four coats to your piece. Elements™ glazes were designed to mature at a shelf cone 06 (999° C or 1830º F). When applying them over a large surface area, we recommend a broad, soft fan brush.
Moisten the brush with water first. The brush fully saturated (loaded) and each coat applied in the same direction. When the wet look has gone from the first coat, you may apply the next coat of glaze. Be sure the glaze has dried thoroughly prior to firing. A medium ramp/firing rate is recommended (250°F per hour) at shelf cone 06. Elements™ can be fired at higher temperatures but will change in appearance. We recommend testing prior to use.
Stoneware Classic & Matte Glazes: Stir well. Apply to soft-fired bisque (cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire from cone 5/6-10. See label for additional firing information for individual glazes and cone 10 performance.
Stoneware Gloss Glazes: Stoneware Gloss glazes can be used in design, all over coverage and are the ideal product for intermixability at mid-range temperatures. The integrity of your design will remain unchanged as these glazes are incredibly stable and will not move or combine with surrounding colors. See label for additional firing information for individual glazes and cone 10 performance.
Dry mix products: Always wear a NIOSH-approved respirator when handling dry glazes. Gently tumble unopened bag to redistribute material, Sieving is not necessary. Mix one 10Ib bag of Dry material into at least 10 pints of water. Stir thoroughly. Add additional water until desired Specific Gravity is reached. Specific Gravity preference will vary between studios, persons, and practice. Our recommended Specific Gravity is in the range of 1.47-1.51. This is for a 1 second dip time; you may want to mix to a lower Specific Gravity if you layer your glazes or tend to dip longer. Stir well before each use. We suggest using dipping tongs. Immerse the ware for 1-2 seconds. One dip of Mayco Dry is equivalent to 3 coats. Shake excess glaze off gently. Allow the glaze to dry before applying additional coats, if desired. When applying Stoneware Dry Crystal glazes, use a cup or ladle to pour the glaze over your piece. While the glaze is wet, you may use a fan brush to evenly distnbute the crystals; avoid heavy crystal loading on the bottom 1/3 of your piece. Fire to preferred temperature, cones 5-10 (2167°F-2345°F / 1186°C-1285°C). Testing recommended. The choice of clay body, the thickness of glaze application, the firing process, and temperature will affect the fired results.
Tip: Save your bag or log the lot number for if you have any questions for our technical team. Tip: Apply AC-302 Wax Resist to the bottom for easy dry foot clean-up.
The Food and Drug Administration (FDA) issues a series of Compliance Policy Guides (CPG) that explain policy on regulatory issues related to the FDA laws or regulations, primarily “Food Safe”. Specific to ceramic products and supplies:
“Food safe” seems to be one of the most confusing concepts for ceramic studios. It can be used differently among manufacturers, which lends to the confusion. There are some dissimilarities in how we ceramic manufacturers use definitions of food safe, dinnerware safe and other safety related information. Following is Mayco’s approach:
The AP (Approved Product) Seal identifies art materials are certified in a toxicological evaluation by a medical expert to contain no materials in sufficient quantities to be toxic or injurious to humans, including children, or to cause acute or chronic health problems as a wet glaze. Such products are certified by ACMI to be labeled in accordance with the chronic hazard labeling standard, ASTM D 4236, and the U. S. Labeling of Hazardous Art Materials Act (LHAMA).
The CL (Cautionary Labeling) Seal identifies products that are certified to be properly labeled in a program of toxicological evaluation by a medical expert for any known health risks and with information on the safe and proper use of these materials as a wet glaze. CL products are NOT suitable for children 12 and under.
Products bearing the Certified Non-Toxic seal have been reviewed by a toxicologist & deemed to have no health risk associated with the proper use of the product.
Products bearing the Food Safe icon have been regulation and defined by the Compliance Policy Guide, maintained by the FDA. We have conducted testing on the individual glaze (or similar in formulation), which has passed standards for food safety when used according manufacturer’s direction.
Glazes identified with the Dinnerware Safe icon indicate the fired surface meets the FDA guidelines for food safe and is suitable for use on dinnerware.
Glazes identified with this version of the Dinnerware Safe icon indicate the fired surface is NOT safe for use on dinnerware.
Glazes identified with this version of the Dinnerware Safe icon indicate the fired surface is safe for use on dinnerware after a clear glaze or other dinnerware safe glaze is applied and fired.