Glazes in this category are designed to fire from cone 4-6, however some have differening ranges. You can use the "firing range" filter as well as filters for Brand, Color, Surface, Visual Effect or manufacturer's glaze series to narrow down your choices
Many glazes in bulk sizes (gallons and dry) will be shipped from the manufacturer.
Cone 06 oxidation (larger image): Cotton Tail is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (smaller image): Opaque. No color change.
Cone 10 Reduction (third image)
Elaine's Best Celadons CQ-103 Celadon Green Add 12-16 oz. of water to every pound of dry glaze. To suspend some glazes, add 1-2% bentonite to dry glaze and mix well. Then add water, mix well again, and screen with an 80 mesh sieve.
Elaine's Best Celadons CQ-104 Apple Green: Add 12-16 oz. of water to every pound of dry glaze. To suspend some glazes, add 1-2% bentonite to dry glaze and mix well. Then add water, mix well again, and screen with an 80 mesh sieve.
Elaine's Best Celadons CQ-105 Baby Blue: Add 12-16 oz. of water to every pound of dry glaze. To suspend some glazes, add 1-2% bentonite to dry glaze and mix well. Then add water, mix well again, and screen with an 80 mesh sieve.
Elaine's Best Celadons CQ-106 Steel Grey: Add 12-16 oz. of water to every pound of dry glaze. To suspend some glazes, add 1-2% bentonite to dry glaze and mix well. Then add water, mix well again, and screen with an 80 mesh sieve.
Elaine's Best Celadons CQ-107 Grey Blue: Add 12-16 oz. of water to every pound of dry glaze. To suspend some glazes, add 1-2% bentonite to dry glaze and mix well. Then add water, mix well again, and screen with an 80 mesh sieve.
Elaine's Best Celadons CQ-108 Blue Green: Add 12-16 oz. of water to every pound of dry glaze. To suspend some glazes, add 1-2% bentonite to dry glaze and mix well. Then add water, mix well again, and screen with an 80 mesh sieve.
Elaine's Best Celadons CQ-109 Honey Amber: Add 12-16 oz. of water to every pound of dry glaze. To suspend some glazes, add 1-2% bentonite to dry glaze and mix well. Then add water, mix well again, and screen with an 80 mesh sieve.
Cone 06 oxidation (larger image): Crackerjack Brown is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (smaller image): Semi-Transparent. Streaky. Color lightens to a slightly darker SC-5 Tiger Tail.
Cone 10 Reduction (third image)
Cone 6 oxidation (first image): Crackle White is a bright white gloss glaze that develops a fine crackle pattern. Works well on stoneware and porcelain bodies and produces crackle patterns at midrange temperatures. Use India ink to highlight or accentuate crackle patterns.
Cone 10 reduction (second image): Turns an orange-brown and pools white in texture when thick. The glaze does not crackle.
Cone 6 oxidation (third image): Crackle Matte Clear is a soft matte, semi-transparent glaze that develops a fine crackle pattern.
Cone 10 reduction (fourth image): No Change.
TIP: A minimum of two coats are needed to develop a crackle pattern. To highlight the crackle pattern, after firing, wipe black acrylic or ink over the ware and wipe off, allowing the ink to fill the cracks.
Very similar to Copper Blue, but lighter in color and covered in fine crazing on most clays. A somewhat runny, translucent glaze that pools in textured areas. Fires red in reduction.
Runny! Single dip (2-3 coats brushed) Apply a stable glaze like black to the bottom 1/3 of your pot, then overlap the Crazed Copper slightly. This helps to keep it from running. Fires translucent turquoise with lots of crazing. A glossy surface.
A creamy off-white with a flat finish. Unlike most of the other Matt glazes, Creamy Matt is tough enough to resist scratches from silverware, and so is suitable for functional ware when properly applied and fired.
Single dip (2-3 coats brushed) Fairly stable, no running, no breaking. A matt surface.
A favorite glaze of potters of all stripes. Creamy with Specks is the same durable off-white color as the original Creamy Matt, but with additional dark specks that add variation to the surface.
Single dip (2-3 coats brushed) Fairly stable, no running, no breaking. A matt surface with lots of speckles.
A dark greyish blue, black where thinnest. Croc Blue is the original Coyote Mottled Series glaze, and looks especially nice when slow cooled or paired with the Archie's Series.The Mottled Series are designed to produce beautiful variegated colors with ease. Simple to apply and suitable for all types of ware, these colors are stunning on their own or combined with other glazes. They may appear thick in the jar and should be applied thick.
Single dip (2-3 coats brushed) Fairly stable, some running, some breaking. A glossy surface.
The Glaze Crystals are all lead-free and dinnerware safe. They are suitable for a large range of temperatures, from Cone 06 to Cone 10. The higher they are fired the more they will spread out and move around. Crystals can best be applied to the final coat of glaze while it is still wet or mixed into the final coat of glaze and brushed on with the glaze.
The Glaze Crystals are all lead-free and dinnerware safe. They are suitable for a large range of temperatures, from Cone 06 to Cone 10. The higher they are fired the more they will spread out and move around. Crystals can best be applied to the final coat of glaze while it is still wet or mixed into the final coat of glaze and brushed on with the glaze.
The Glaze Crystals are all lead-free and dinnerware safe. They are suitable for a large range of temperatures, from Cone 06 to Cone 10. The higher they are fired the more they will spread out and move around. Crystals can best be applied to the final coat of glaze while it is still wet or mixed into the final coat of glaze and brushed on with the glaze.
The Glaze Crystals are all lead-free and dinnerware safe. They are suitable for a large range of temperatures, from Cone 06 to Cone 10. The higher they are fired the more they will spread out and move around. Crystals can best be applied to the final coat of glaze while it is still wet or mixed into the final coat of glaze and brushed on with the glaze.
The Glaze Crystals are all lead-free and dinnerware safe. They are suitable for a large range of temperatures, from Cone 06 to Cone 10. The higher they are fired the more they will spread out and move around. Crystals can best be applied to the final coat of glaze while it is still wet or mixed into the final coat of glaze and brushed on with the glaze.
The Glaze Crystals are all lead-free and dinnerware safe. They are suitable for a large range of temperatures, from Cone 06 to Cone 10. The higher they are fired the more they will spread out and move around. Crystals can best be applied to the final coat of glaze while it is still wet or mixed into the final coat of glaze and brushed on with the glaze.
The Glaze Crystals are all lead-free and dinnerware safe. They are suitable for a large range of temperatures, from Cone 06 to Cone 10. The higher they are fired the more they will spread out and move around. Crystals can best be applied to the final coat of glaze while it is still wet or mixed into the final coat of glaze and brushed on with the glaze.
The Glaze Crystals are all lead-free and dinnerware safe. They are suitable for a large range of temperatures, from Cone 06 to Cone 10. The higher they are fired the more they will spread out and move around. Crystals can best be applied to the final coat of glaze while it is still wet or mixed into the final coat of glaze and brushed on with the glaze.
The Glaze Crystals are all lead-free and dinnerware safe. They are suitable for a large range of temperatures, from Cone 06 to Cone 10. The higher they are fired the more they will spread out and move around. Crystals can best be applied to the final coat of glaze while it is still wet or mixed into the final coat of glaze and brushed on with the glaze.
The Glaze Crystals are all lead-free and dinnerware safe. They are suitable for a large range of temperatures, from Cone 06 to Cone 10. The higher they are fired the more they will spread out and move around. Crystals can best be applied to the final coat of glaze while it is still wet or mixed into the final coat of glaze and brushed on with the glaze.
The Glaze Crystals are all lead-free and dinnerware safe. They are suitable for a large range of temperatures, from Cone 06 to Cone 10. The higher they are fired the more they will spread out and move around. Crystals can best be applied to the final coat of glaze while it is still wet or mixed into the final coat of glaze and brushed on with the glaze.
The Glaze Crystals are all lead-free and dinnerware safe. They are suitable for a large range of temperatures, from Cone 06 to Cone 10. The higher they are fired the more they will spread out and move around. Crystals can best be applied to the final coat of glaze while it is still wet or mixed into the final coat of glaze and brushed on with the glaze.
Cone 06 oxidation (first image): Cutie Pie Coral is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Semi-Transparent. No color change.
Cone 10 reduction (third image)
Cone 06 oxidation (first image): Dandelion is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Transparent. Color lightens to a light SC-42 Butter Me Up.
Cone 10 Reduction (third image)
Cone 6 oxidation (larger image): Dark Brown Engobe fires matte brown. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6: Dark Green Gloss is a highly-pigmented emerald green gloss glaze. The stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temperatures.
Cone 10: No change.
