Glazes in this category are designed to fire from cone 4-6, however some have differening ranges. You can use the "firing range" filter as well as filters for Brand, Color, Surface, Visual Effect or manufacturer's glaze series to narrow down your choices
Many glazes in bulk sizes (gallons and dry) will be shipped from the manufacturer.
A deep blue with a smooth, glossy surface. As easy to use as it is beautiful, Almost Teal is one of the most popular starting points for glaze combinations. Great for beginners and advanced potters alike.
Cone 6 oxidation:Amaryllis is a glossy, transparent, coral glaze with crystals in varying sizes that bloom into shades of brown, yellow, and orange.
Cone 10 reduction: Glaze fades to a transparent pink. Crystals soften. Glaze remains stable.
TIP: -SW-205 Coral is the base glaze. For a lighter crystal affect, apply 1 coat of SW-192 Amaryllis over 2 coats of SW-205 Coral. This glaze is stable, even with heavy application.
Cone 6: Amber Quartz is a warm amber matte glaze that adds accents of tan and brown. The variation of the glaze is dependent on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent where thinner and pool darker around surface textures. Cone 10: Glossy purple/blue is more prominent.
Cone 6: Amber Topaz provides a translucent, light honey-blonde color. Designed to provide a hint of color with one coat, deeper color with two to three coats - but remaining translucent. Cone 10: Color changes to a transparent brown. TIP: One coat allows more of the clay body characteristics to appear through the glaze, adding a faint color gloss to the surface. Subsequent coats deepen the amber color but at three coats you will still obtain a translucent fired surface. Three+ coats will produce more opacity and less translucency. Heavy application may increase the incidence of crazing.
A translucent brown with mesmerizing rivulets, Ancient Iron can display a dazzling array of colors. Under the right circumstances, amber, coffee, purple and blue tones can show across a surface, and gold crystals can even form in the areas where the glaze cools slowest.
Fantasy Glazes can vary dramatically in appearance depending on the clay body used, the thickness of application, and in some cases, the firing. They can be runny, so it's important to test carefully.
Experience the mesmerizing beauty of the Andromeda 176 Coyote Cone 6 Glaze. Its deep blue-green color, with hints of brown, creates a stunning and unique appearance. When slow-cooled, it forms cool gold crystals, adding a touch of elegance to your pottery. Elevate your pieces with this must-have glaze!
Experience the magic of the night sky with Antares 175 Coyote Cone 6 Glaze. This unique glaze features a mesmerizing blue hue with hints of shimmer and brown undertones, reminiscent of a stunning constellation. Add a touch of celestial beauty to your pottery with this one-of-a-kind glaze.
Cone 6: Antique Brass is a soft matte, metallic brass glaze that breaks charcoal. Cone 10: Brass finish becomes brighter and more metallic. Increased movement.
Fantasy Glazes can vary dramatically in appearance depending on the clay body used, the thickness of application, and in some cases, the firing. They can be runny, so it's important to test carefully.
A satiny color with a wonderfully unusual finish, soft to the touch but hard against cutlery marking. Apricot is one of the most popular of our Enduro-Color line, a warm stony pink perfect for dishes or tiles.
Cone 06 oxidation (first image): Aqu-ward is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Color Slightly lightens.
Cone 10 Reduction (third image)
A gentle, translucent blue-green color, similar to a traditional celadon. Easy to apply and reliable.Frank's Colored Celadons are a beautiful series of translucent glazes. Because they can be seen through, they are perfect for work with fine details or carving, or as an alternative to clear for ware with underglaze. They do not run and look great on their own or combined with other glazes.
Experience the magic of Aquilla 177 Coyote Cone 6 Glaze! This slow-cool glaze creates mesmerizing blue and purple tones, with hints of brown and crystalline textures. Delve into a starry constellation and bring your pottery to life. Grab Aquilla 177 for out-of-this-world results!
The glorious and mesmerizing Archie's base is a delicate blend of pale pink and creamy hues, but truly comes alive when mixed with other glazes. Its transformative properties create stunning new patterns and enhance the colors of other glazes.
Unlock the beauty of the night sky with Aries 179 Coyote Cone 6 Glaze. The green and gold shimmer of this constellation glaze will add a touch of celestial magic to your ceramic pieces. Let your creativity soar with Aries!
Cone 06 oxidation (larger image): Army Surplus is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (smaller image): Opaque. Streaky with brown and green striations
Cone 10 Reducution (third image)
Cone 6: Aurora Green produces a mottled aqua gloss glaze with light brown and large black crystals. As the crystals melt, bursts of blue and brown will develop. Cone 10: Color changes to a variegated pink/blue/green. Crystals become less pronounced. TIP: SW-108 Green Tea is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-108 Green Tea with a third coat of SW-146 Aurora Green. Due to the large sized crystals in Aurora Green they often reside in the bottom of the glaze; be sure to stir well or pour the glaze out onto a plate to make them more accessible.
Experience the warm, inviting tones of our Autumn Spice 170. This stunning bronze, brown, and cream palette features a shimmering finish that will add an opulent touch to any look. Part of Coyote's popular Constellation series, this palette will elevate your glaze game!
A beautiful bright green with a slight satiny finish. Great for indoor and outdoor tile, as well as functional ware. Holds up to nearly anything! Enduro-Color Glazes are designed for durability. They are perfect for liner glazes, standing up against fork and knife marking, dishwashers, and tomato stains. Enduro-Colors resist acid, chipping, crazing, scratching, staining, and all other hard use factors.
A deep striking blue that cascades over texture, Azure Dream is the most popular Fantasy glaze with our own students and studio members. Pots covered in this glaze have a way of stopping people in their tracks.
Fantasy Glazes can vary dramatically in appearance depending on the clay body used, the thickness of application, and in some cases, the firing. They can be runny, so it's important to test carefully.
Cone 6: Azurite is a soft matte, cobalt blue glaze that will pool dark and glossy and break a light brown. Cone 10: Color changes to green where thin/breaking and remains dark blue where thick/pooling. Increased movement. Tip: This glaze can be very mobile; Recede coats to avoid run off on vertical pieces and practice caution in combination. Note: Not recommended for dinnerware due to surface durability.
Cone 06 oxidation (larger image): Baskeball is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (smaller image): Opaque. No color change.
Cone 10 Reduction (third image)
Birch is one of the Texas Two Step Overcoats, and can be layered with Licorice, Coffee Bean, or Brick Red to produce an oilspot effect. It can also be used on its own for a slightly mottled, neutral color.
Cone 6: Birch is a creamy opaque off-white glaze that breaks brown. Cone 10: Cream color remains and brown undertones darken. TIP: The thinner the the application, the more amber the glaze will be. The thicker the application, the more white floating you will get.
A much requested late addition to our Crawl Series, Black Crawl is a charcoal-colored glaze with a unique crackle pattern.
The crawl glazes usually need several brushed coats. Apply a coat or two and let dry; repeat just until it you see some surface cracks starting to form on the piece when it's dry. If it starts to curl up and look like a dried up lake bed it is on too thick, it will probably flake and fall off. Where the glaze is thicker, the crawl size is larger. Where thinner, the crawl size is smaller. Not recommended for food use. A textured, dry matt surface.
Cone 6 oxidation (larger image): Black Engobe fires matte black. Engobes are used to coat your clay body to your preferred finish/color and are a great base to achieve in your glaze results. Cone 10 reduction (smaller image): No change. Tips: Can be applied to wet clay, greenware or soft fired, cone 04 bisque. Engobes are often used for a variety of decorative techniques, such as sgraffito and majolica. Fires matte. Apply clear glaze to intensify color or for use on dinnerware. Engobes will impact glaze results when used as a base. Engobes are used to change the color of your clay color surface without cross contamination and easy clean up in your studio. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6: Black Gloss is a highly-pigmented true black gloss glaze. The stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temperatures. Glaze turns to satin gloss at cone 5 and high gloss at cone 6.
Cone 10: Exhibits some blue hues.
Cone 6: Black Matte is formulated to produce a smooth matte surface. Light coats will allow clay body characteristics to appear through the glaze (especially on dark and speckled clay bodies). Cone 10: Color darkens. TIP: A true matte finish at cone 5/6 with no movement. Thicker application, three or more coats, will produce a more opaque finish.
Cone 6 oxidation (First image): White Mudcrack is a high-texture glaze that forms a raised, cracked surface. The thicker the application, the more textured the surface will be.
Cone 10 reduction (Second image): Texture flattens, color remains white.
Cone 6 oxidation (third image): Black Mudcrack is a high-texture glaze that forms a raised, cracked surface. The thicker the application, the more textured the surface will be.
Cone 10 reduction (fourth image): Texture flattens, color remains black.
