Cone 06 oxidation (first photo): Marine Blue will fire matte without addition of a clear glaze. To intensify color or for use on dinnerware, apply clear or matte clear glaze.
Cone 6 oxidation (second photo): Color concentration occurs. Recommended clear glaze is SW-001 Stoneware Clear.
Cone 10 reduction (third image): Color concentration occurs. Recommended clear glaze is SW-001 Stoneware Clear.
Cone 06 oxidation (first photo): Maroon Lagoon is a semi-translucent maroon base glaze with dark green and black crystals.
Cone 6 oxidation (second photo): Base glaze fades to white; crystals cascade. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (first photo): Masquerade is an opaque black base glaze that has red, orange, yellow, and green crystals that melt/bloom.
Cone 6 oxidation (second photo): Base glaze remains – crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 06: Matte Transparent clear glaze forms an impervious barrier that protects against liquids, dirt and abrasion. Finish is a matte sheen. Cone 6: Finish is completely glossy. 1 coat is recommended.
Cone 06: Matte Transparent clear glaze forms an impervious barrier that protects against liquids, dirt and abrasion. Finish is a matte sheen. Cone 6: Finish is completely glossy. 1 coat is recommended.
Cone 06: Matte Transparent clear glaze forms an impervious barrier that protects against liquids, dirt and abrasion. Finish is a matte sheen. Cone 6: Finish is completely glossy. 1 coat is recommended.
Cone 06 oxidation (second photo): White Opal is a white matte underglaze base with small white crystals that fire glossy.
Cone 6 oxidation (third photo)
Cone 06 oxidation (fourth photo): Golden Sand is an off-white matte underglaze base with tiny tan crystals that fire glossy.
Cone 6 oxidation (fifth photo)
Cone 06 oxidation (sixth photo): Black Diamond is a black matte underglaze base with small black crystals that fire glossy.
Cone 6 oxidation (seventh photo)
Cone 06 oxidation (second photo): PC-601 Clear Cascade produces a more flowing effect and allows the color of the base glaze to show through. It can also alter your original color, creating a new color. It will form runs or you can direct the runs when you apply the product.
Cone 6 oxidation (third photo): Transparent with Crazing. Color clear with a slight tint of light blue.
Cone 06 oxidation (forth photo): PC-602 White Cascade intermingles with the other glazes being used, introducing pure white to the colors you are using, blending with the color.
Cone 6 oxidation (fifth photo): Transparent. Color clear with white float.
TIP: Chip shown over EL-118 Blue Grotto. PC-602 White Cascade has a minimum movement and will stay in the pattern that you apply it in.
Cone 06 oxidation (second photo): Creates a transparent cracked surface and allows underlying designs to show through.
Cone 6 oxidation (third photo): More defined crackle pattern – does not take ink/stain.
Cone 06 (fourth image): Creates a white cracked surface and allows underlying designs to show through.
Cone 6 (fifth image): Finer crackles – does not take ink/stain. Added pink variation. Increased mobility.
Cone 06 (sixth image): Creates a green cracked surface and allows underlying designs to show through.
Cone 6 (seventh image): Color lightens. More defined crackle pattern – does not take ink/stain. Increased mobility.
Cone 06 (eighth image): Creates a teal cracked surface and allows underlying designs to show through.
Cone 6 (ninth image): Color lightens. More defined crackle pattern – does not take ink/stain. Increased mobility.
TIP: After firing, wipe an acrylic or ink over the ware and wipe off, allowing the ink to fill and highlight the cracks.”
Cone 06 oxidation (first photo): A black shattered pattern of raised, irregular chips will emerge. The underlying glaze will appear in the cracks.
Cone 6 oxidation (second photo): Glaze will bead up on the surface of the piece. If applied over another glaze the texture flattens with similar cobblestone pattern.
Cone 06 oxidation (third photo): A white shattered pattern of raised, irregular chips will emerge. The underlying glaze will appear in the cracks.
Cone 6 oxidation (fourth photo): Glaze will bead up on the surface of the piece. If applied over another glaze the texture flattens with similar cobblestone pattern.
Cone 6 oxidation (first image): Crackle White is a bright white gloss glaze that develops a fine crackle pattern. Works well on stoneware and porcelain bodies and produces crackle patterns at midrange temperatures. Use India ink to highlight or accentuate crackle patterns.
Cone 10 reduction (second image): Turns an orange-brown and pools white in texture when thick. The glaze does not crackle.
Cone 6 oxidation (third image): Crackle Matte Clear is a soft matte, semi-transparent glaze that develops a fine crackle pattern.
Cone 10 reduction (fourth image): No Change.
TIP: A minimum of two coats are needed to develop a crackle pattern. To highlight the crackle pattern, after firing, wipe black acrylic or ink over the ware and wipe off, allowing the ink to fill the cracks.
Cone 6 (first image): Light Flux is a translucent cream color when used alone.
Cone 10 (second image): The increase in temperature will cause more movement.
Cone 6 (third image): Dark Flux is a translucent brown color when used alone.
Cone 10 (fourth image): The increase in temperature will cause more movement.
TIP: Chip shown over SW-119 Cinnabar.
Cone 6 oxidation (first image): Light Magma is a sand-colored, high-texture glaze that creates a rough, cratered surface. The thicker the application, the more textured the surface will be.
Cone 10 reduction (second image): Texture slightly flattens. Color changes to a cream/gray.
Cone 6 oxidation (third image): Dark Magma is a charcoal-colored, high-texture glaze that creates a rough, cratered surface. The thicker the application, the more textured the surface will be.
Cone 10 reduction (fourth image): Texture slightly flattens. No change in color.
Cone 6 oxidation (First image): White Mudcrack is a high-texture glaze that forms a raised, cracked surface. The thicker the application, the more textured the surface will be.
Cone 10 reduction (Second image): Texture flattens, color remains white.
Cone 6 oxidation (third image): Black Mudcrack is a high-texture glaze that forms a raised, cracked surface. The thicker the application, the more textured the surface will be.
Cone 10 reduction (fourth image): Texture flattens, color remains black.
Cone 6: Maycoshino is a variegating iron glaze with subtle color changes. In a thin application, the user will achieve rich, iron browns. Applied thicker, the user will get lighter, creamy hues which are reminiscent of traditional Japanese shino glazes. This glaze is wonderful on any surface, any color clay body. Cone 10: Color darkens to a gray/brown. TIP: One coat produces a solid reddish brown opaque covering; Two coats produces a cream-tan-buff finish that breaks brown over surface texture; Three coats significantly introduces waves of cream-tan color over the reddish brown base.
Cone 06 oxidation (first photo): Meadow is a translucent, bright green base glaze with yellow and blue crystals and small black specks.
Cone 6 oxidation (second photo): Base glaze fades – crystals fade and melt – speckles remain. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss teal finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): Color darkens.
Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss medium blue finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): No color change. Breaks over texture.
Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss medium green finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): No color change.
Cone 06 oxidation (first image): Melon-choly is a heavily pigmented, viscous Stroke & Coat®glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6 oxidation (second image): Opaque. Solid Coverage. Color slightly darkens.
Cone 10 reduction (third image)
Cone 06 oxidation (first photo): Bright pink sheer gloss glaze adds color to your work and allows surface textures or design to show through.
Cone 6 oxidation (second photo): Color fades to clear.
Cone 6 oxidation: Micro Ash is a glossy, translucent, variegated charcoal glaze with a periwinkle float that breaks over texture. Blooms of shimmering onyx micro-crystallization will develop during the firing process.
Cone 10 reduction: Glaze darkens. TIP: This glaze is fluid at 3 coats. Recede application to avoid unwanted runoff. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Ash achieves a stable, semi-opaque, warm charcoal result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation: Micro Cerulean is a glossy, translucent, medium blue glaze with an aqua float that breaks over texture. Blooms of shimmering blue micro-crystallization will develop during the firing process.
Cone 10 reduction: Glaze turns to a variegated grey/blue. TIP: This glaze is stable at 3 coats. Additional coats or increased application thickness may result in movement. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Cerulean achieves a stable, semi-opaque, deep blue result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation: Micro Champagne is a glossy, translucent amber glaze with a mauve float that breaks over texture. Blooms of shimmering gold micro-crystallization will develop during the firing process.
Cone 10 reduction: Glaze darkens. TIP: This glaze is fluid at 3 coats. Recede application to avoid unwanted runoff. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Champagne achieves a stable, semi-opaque, golden-amber result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation: Micro Jade is a glossy, translucent, jade green glaze with a turquoise float that breaks over texture. Blooms of shimmering bronze micro-crystallization will develop during the firing process.
Cone 10 reduction: Glaze turns to a variegated brown. TIP: This glaze is fluid at 3 coats. Recede application to avoid unwanted runoff. Due to the translucent nature of this product, be aware of your application consistency and thickness to avoid streaky brushstrokes. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro Jade achieves a stable, semi-opaque olive result that breaks over texture and has a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 6 oxidation: Micro Pearl is a glossy, semi-opaque white glaze with lilac undertones that breaks over texture. Iridescent micro-crystallization in shades of lilac and pale yellow will develop during the firing process.
Cone 10 reduction:Glaze darkens to blue, purple and white variegation. TIP: This glaze is stable at 3 coats. Additional coats or increased application thickness may result in movement. We recommend firing our micro glazes to cone 6 oxidation to reach crystalline development. Micro-Pearl achieves a stable, semi-opaque, frosted white result with a pearlescent satin finish when fired to cone 5. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.
Cone 06 oxidation (first photo): Midnight Blue will fire matte without addition of a clear glaze. To intensify color or for use on dinnerware, apply clear or matte clear glaze.
Cone 6 oxidation (second photo): No color change. Recommended clear glaze is SW-001 Stoneware Clear.
Cone 10 reduction (third image): Color concentration occurs. Recommended clear glaze is SW-001 Stoneware Clear.
Cone 6: Midnight Rain is a blue-green breaking gloss glaze that contains a black crystal. As the crystal melts and moves, a black oil-like streak is created in the glaze.
Cone 10: Crystals melt and integrate into base glaze, darkening the color. Increased movement. TIP: SW-100 Blue Surf is the base glaze. For a lighter crystal effect, you may try applying two coats of SW-100 Blue Surf with a third coat of SW-115 Midnight Rain.
Cone 6 results: Milk Glass is a glossy, semi-opaque white glaze that breaks transparent over texture. This glaze is stable.
Cone 10 reduction: Color shifts to blue with white float. Remains stable.
Tip: This glaze works well in combination with other glazes.
Cone 06 oxidation (first photo): This soft translucent white glaze adds a tint of color to your work, allowing surface textures or design to show through.
Cone 6 oxidation (second photo): Color completely fades.
Cone 06: Mint Chip is a translucent, light green base glaze with brown, green, and black crystals. Cone 6: Base glaze lightens - crystals fade and melt. Enhanced mobility. Surface issues may occur.
Cone 06 oxidation (first photo): Produces a beautiful, smooth high gloss mint green finish and can be intermixed for custom colors.
Cone 6 oxidation (second photo): No color change. Breaks over texture.
Cone 6 results: Mint Speck is a satin-matte, semi-opaque mint green that breaks over texture. Contains small purple, orange and yellow specks. This glaze is highly stable.
Cone 10 reduction: Changes to a glossy, transparent pale blue. Specks blur and lose de nition with increased application thickness. Remains stable.
Tip: Mint Speck uses SW135 Wintergreen as the base glaze. We recommend firing our matte glazes to cone 6 to produce a satin matte finish. Upon opening, specks will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use.
Cone 6: Mirror Black creates a highly reflective, metallic black gloss finish. On some vertical surfaces and around surface textures, minor matte effects can be seen; all other applications result in the formation of a black, metallic mirror. Cone 10: Finish flattens. Color remains. Increased movement. TIP: This glaze WILL move. Take care when using on vertical pieces – reduce glaze thickness towards the bottom third to minimize run-off.
