"Spectrum Glazes is unique among ceramic glaze suppliers in that we focus exclusively on producing the highest quality, most colorful and diverse selection of fired finishes available anywhere.  All of our energies are devoted to manufacturing glazes and other ceramic coatings.  Our formulations have been developed over our 40 years in business with careful attention to detail, backed by our on-going commitment to thorough testing of materials and every batch of finished product.  Most of our products use ceramic frits and stains as their principal ingredients. This provides superior appearance and consistency of results over other products made primarily from raw materials. We also use a high percentage of stains in our formulations to achieve greater intensity, brightness, and depth of color in our glazes, underglazes, etc.  We take great pride in being an industry leader in the development of innovative, safe and reliable products."

This Product Guide contains the following sections:

LOW FIRE GLAZES -cone 06/04 (1015 to 1060°C)

CRACKLE GLAZES – 138 to 170

LF METALLIC GLAZES - 151 to 156

SATIN GLAZES - 250 to 264

OPAQUE GLOSS GLAZES - 700 to 763

SEMI-TRANSPARENT GLOSS GLAZES – 800 to 828

LOW STONE GLAZES - 900 to 962

MID-RANGE GLAZES - cone 4/6 (1190 to 1230°C)

STONEWARE GLAZES - 1100 to 1199

SHINO GLAZES - 1401 to 1412

ELECTRIC ASH GLAZES - 1421 to 1426

FLOATING STONEWARE GLAZES - 1431 to 1442

CELADON (SEMI-TRANSPARENT) GLAZES - 1461 to 1472

NOVA STONEWARE GLAZES - 1500  to 1544

DECORATING PROUCTS

GLAZE CRYSTALS – CR01 to CR12

RAISED ACCENT COLOR PENS - RAC 0 to RAC 20

 

GLAZE ADDITIVES - 1070 to 1074

 

 

LOW FIRE GLAZES -cone 06/04   (1015 to 1060°C)

(LOW FIRE CRACKLE GLAZES – 138,140,170

138,140,170 These 3 glazes are lead-free and non-toxic. However, they are not dinnerware safe because of the possibility of bacteria growth in the cracks. After they have been fired to cone 06/04 and allowed to cool you can rub ink or dye into the cracks, in order to make the crackle pattern stand out the way it does in our color charts. 

 

LOW FIRE METALLIC GLAZES - 151 to 156

151-156 These glazes are lead-free, but they are not dinnerware safe and they have a hazard label for the liquid state due to the presence of heavy metals including copper, manganese and barium. They produce beautiful metallic finishes when used correctly, as detailed below. The first 3 colors, 151, 152 and 153, are glossy type finishes. The other 3 colors, 154, 155 and 156, are matte type finishes. 

There a few important factors to be aware of when using our Low Fire Metallics (151 to 156). These glazes only work at cone 05 (1030°C). Unfortunately cone 06 (1015°C) is too cool and cone 04 (1060°C) is too hot. They also need to be put on heavily. We recommend 3 generous brushing coats or 4 normal coats. If you overfire or underfire or do not put the glaze on thick enough the result is a drab matte black or green color. Inaccurate firing temperature and insufficient glaze thickness are the most common causes of problems with the LF Metallic glazes. When these 2 factors are done correctly the LF Metallic glazes give the expected results the vast majority of the time.

To be sure that your kiln is firing to cone 05you should put large witness cones on each shelf of your kiln. In order to check the correct number of coats for your application please fire a test piece on which you put 2, 3, 4 and 5 coats of glaze in different locations. Check your results after firing the test piece. If you are firing accurately to cone 05 and putting enough coats of glaze on but the results are not as expected, then there are some other factors that occasionally affect the result. The next factor is the clay body being used. We recommend bodies without any metal oxides, such as iron or manganese, because these can affect the LF Metallic glazes. However, sometimes even bodies without any oxides don't work so we suggest you try 2 or 3 alternate clay bodies.

Another  issue we have seen is that when a kiln cools down too slowly it can encourage crystal growth that will spoil the metallic effect. This sometimes happens when kilns are very heavily loaded. A final caution is that the LF Metallic glazes should not be fired in a kiln along with bisqueware. The gases that come off bisqueware firings can upset the conditions in the kiln that create the metallic finishes.

LOW FIRE SATIN GLAZES - 250 to 264

CLEAR SATIN GLAZE

250. This cone 06/04 clear glaze has a smooth satin finish and is ideal for covering underglaze designs.  It should also be applied thinly as it may cloud if applied too heavily.  It is lead-free, dinnerware safe, A/P non-toxic and also zinc free. 

OPAQUE SATIN GLAZES

269. These cone 06/04 glazes provide solid coverage and a beautiful satin finish.  They require 2 to 3 coats by brushing.  Satin glazes tend to be stiffer and do not move much in firing, so an even application is important.  They are sensitive to the firing temperature, in that the hotter they are fired the smoother and glossier the surface will become.  They are all lead-free, dinnerware safe and A/P non-toxic. 

 

LOW FIRE OPAQUE GLOSS GLAZES - 700 to 763

CLEAR GLOSS GLAZE

700. An excellent lead free, dinnerware safe, A/P non-toxic clear glaze, which is compatible with most commercially available underglazes.  It has good tolerance for a wide variety of low fire pug clay bodies and rarely crazes.  It was designed specifically for pugged clays, and therefore should be tested before being used on slip cast ware due to the potential difference in coefficients of expansion.  If you are looking for a clear glaze designed specifically for slip cast ware, consider trying our 400 Clear or 800 Clear.  We recommend applying clear glazes thinly (i.e. 1 to 2 coats by brushing) as they may cloud when applied too heavily.

 

763. A wide range of lead free, dinnerware safe, A/P non-toxic colors, including excellent bright primary colors. These glazes require 2 to 3 coats by brushing for opaque coverage. In general, a more even appearance can be achieved by alternating the direction of brush strokes by 90∞ to the previous coat (i.e. first brush up and down the piece, next coat brush side to side). These glazes do not tend to bleed together so they can usually be butted against each other without the colors running. 

 

 

LOW TEMPERATURE SEMI-TRANSPARENT GLOSS GLAZES - 800 to 828

800-828 These glazes are lead-free, dinnerware safe, A/P non-toxic with the exceptions of 806, 818, 821, 822, 823, 825,826,827 & 828. They can be used to produce a multi-tonal appearance. The color gets darker where it is on thicker, such as in places where it flows into the details on pieces.  Generally, it is best to apply these colors thinly (i.e. 2 coats by brushing).  The exception in this group is 800 Clear, which is a clear glaze with a slightly higher coefficient of expansion than 700. It is more suitable for slip cast ware that is generally higher in talc content and therefore higher in expansion than pug clay ware (i.e. hand-built, wheel-thrown or RAM pressed ware). 

 

 

LOW STONE GLAZES - 900 to 962 

Our exciting line of low fire (cone 06/04) glazes that give the appearance of a stoneware finish. 

 

901 to 906 Glossy, semi-transparent two-tone glazes that produce a beautiful effect when used on pieces with some detail. 

 

907, 927, 928, 953, 955, 957, 958 Semi-gloss glazes that break and give one color in areas where they are thick

and another color in areas where they are thinner.

 

908 to 926 Satin finish glazes and will all break to varying degrees. 

 

929, 932 to 935, 949 to 952, 954, 956    Semi-gloss, speckled glazes.

 

930, 931, 936 to 943, 945to 948, 961, 962 Satin finished speckled glazes.

 

959, 960 Metallic finish glazes. Best when applied thicker.

 

944 Solid satin taupe glaze.

 

We have included 900 Clear in this line which can be used, for example, to line the inside of pots. Please do not use our 900 series glazes on the same piece with our 700 series glazes. Due to significantly different expansion rates this combination can cause pots to crack.

 

The chip samples in our color chart which show the result of applying 3 coats of each glaze on white bisque and firing to cone 05 We have also produced many wonderful effects by layering these glazes with each other.

 

The following glazes are lead-free, dinnerware safe and AP non-toxic: 900, 904, 916, 925, 926, 928, 931, 932, 933, 935, 936, 937, 938, 939, 940, 942, 943, 950, 951 & 952.

 

The remaining colors have Health Labels for use in the unfired liquid state due to the presence of copper oxide and/or zinc oxide and/or nickel oxide exceeding the prescribed limits. They are all lead-free and dinnerware safe after firing.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MID-RANGE GLAZES - cone 4/6 (1190 to 1230°C)

 

STONEWARE GLAZES - 1100 to 1199

GENERAL This glaze series contains a selection of 83 cone 4/6 Stoneware Glazes. All of these glazes are lead-free and dinnerware safe. Most of them also come with the A/P non-toxic rating from the Art & Creative Materials Institute (ACMI) which is clearly marked on the product label. Some of the reactive type glazes are rated C/L by the ACMI which means that they are considered toxic in the liquid (unfired) state due to the presence of heavy metals, such as copper or vanadium, beyond the non-toxic legal limit. C/L rated glazes are not suitable for use by young children or pregnant women.

 

We have 3 types of Stoneware Glazes: clear glazes; plain colored glazes; and reactive type glazes. These are described in more detail below. In general, clear glazes are used to cover designs created with underglazes. There is a choice of gloss, satin or crackle finishes. Most of our plain colored glazes are opaque and come in gloss and satin finishes. There are a few plain colored semi-transparent gloss glazes, such as 1111 Holly Green. Many of our most popular stoneware glazes are the reactive type colors which produce multi-tone and multi-colored effects created by a combination of various metal oxides. Many interesting effects can be created by layering these reactive type glazes with each other. In particular, layering a more fluid glaze, such as 1173, underneath or on top of one of the other reactive glazes often produces beautiful results.

 

All of our Stoneware Glazes are available wet in pints and gallons. They are also available dry in 10 lb. bags. The wet glazes are set up for brushing application. The dry glazes are set up for dipping application. For dry glaze mixing instructions see the sheet on "Dry Glaze Mixing Instructions" at the end of this Product Guide. Please follow the instructions carefully especially with respect to the amount of water required.

CLEAR GLAZES

1100. Clear Gloss Glaze (cone 4/6) – An excellent lead free, A/P non-toxic, dinnerware safe stoneware clear gloss glaze which is compatible with most commercially available underglazes.  Like most clear glazes 1100 works best when applied thinly.

 

1120. Clear Satin Glaze (cone 4/6) – Also lead free, A/P non-toxic, dinnerware safe and suitable for use over underglaze decoration. Satin clear glazes are not as translucent as clear gloss glazes and will tend to mute the appearance of underglaze decoration somewhat.  It should be kept thin (i.e. 1 or 2 coats by brushing) to improve clarity.

 

1187. Clear Crackle Glaze (cone 4/6) – A lead free, A/P non-toxic clear crackle glaze. After the piece has been removed from the kiln and allowed to cool the crackle pattern will form. A colored dye can be rubbed into the surface to emphasize the crackle pattern. Crackle glazes are not considered dinnerware safe due to the possibility of bacteria growth in the cracks.

 

PLAIN COLORED GLAZES

Opaque Gloss Glazes - 1102, 1103, 1104, 1106, 1107, 1108, 1109, 1110, 1118, 1131, 1132, 1134, 1135, 1136, 1137, 1138, 1151, 1164, 1165, 1166, 1167, 1168, 1169, 1184, 1185, 1186, 1193, 1194, 1195, 1196. – A beautiful selection of lead free, A/P non-toxic, dinnerware safe stoneware glazes with particular emphasis on bright primary colors.

Opaque Satin Glazes - 1121, 1122, 1123, 1124  1126, 1127. – Smooth satin finish on these stoneware glazes which are also lead free, A/P non-toxic and dinnerware safe.

Semi-Transparent Gloss Glaze - 1111 A glossy semi-transparent  glaze that is lead free but they exceeds the copper threshold limit in the liquid unfired state and therefore is not non-toxic.  However, it is food safe if fired to the proper firing temperature.  

 

REACTIVE GLAZES

Reactive Glazes – 1113, 1115, 1117, 1140, 1141, 1142, 1143, 1144, 1145, 1149, 1155, 1156, 1170, 1171, 1176, 1177, 1180, 1181, 1182, 1183, 1192, 1199. – Are all lead free, non-toxic and dinnerware safe.  They are formulated to produce reactions during the firing cycle which give very interesting and beautiful effects.  The final appearance of the glaze is dependent on firing temperature, glaze thickness and the composition of the clay body being used.  The same glaze can look quite different on different clay bodies.  The samples shown on the color charts are 3 brush coats of glaze fired to cone 5 in an electric kiln on a white clay body.  Different results should be expected in reduction.

 

Reactive Glazes – 1111, 1129, 1146, 1147, 1148, 1149, 1152, 1153, 1154, 1157, 1158, 1159, 1161, 1162, 1172, 1173, 1191, 1197. – Are all lead free but they exceed the vanadium and/or copper threshold limit in the liquid unfired state and therefore are not non-toxic.  However, they are all food safe if fired to the proper firing temperature.  They behave in the manner described above for Reactive Glazes.  Also be aware that some of the colors, such as 1148, 1152, 1153, 1154, 1158, 1159, 1161, 1162, and particularly 1173 are more fluid and may run.  Be more careful when using them on vertical surfaces. Use fewer coats towards the bottom of the piece.

 

 

 

METALLIC GLAZES

Metallic Glazes – 1112, 1114, 1116, 1188, 1198. – Are all lead free but they exceed the vanadium and/or copper threshold limit in the liquid unfired state and therefore are not non-toxic.  However, they are all food safe if fired to the proper firing temperature. They are formulated to produce reactions during the firing cycle which produce the beautiful metallic effects.  The final appearance of the glaze is dependent on firing temperature, glaze thickness and the composition of the clay body being used.  The same glaze can look quite different on different clay bodies.  The samples shown on the color charts are 3 brush coats of glaze fired to cone 5 in an electric kiln on a white clay body.  Different results should be expected in reduction.

 

SHINO GLAZES – 1401 to 1412

All 12 Shino glazes fire to a satiny matte finish at cone 5 or a slightly shinier finish at cone 6. They are designed to break so that you see different shades of color in areas of different thicknesses. The breaking effect becomes more pronounced at cone 6 than cone 5. Five of the Shino glazes (1404, 1405, 1406, 1407 & 1411) are lead-free,  non-toxic and food safe. The other 7 colors (1401, 1402, 1403, 1408, 1409, 1410 & 1412) are lead-free and food safe but they have a Health Label due to the presence of copper or manganese or zinc above the non-toxic threshold level. 

 

ELECTRIC ASH GLAZES – 1421 to 1426

All six colors are translucent, and are designed to “gather and run” much like traditional ash glazes.  The variety of colors is inspired by the different effects that come from using various fruit trees as a source of ash in reduction.  One thin coat is sufficient, and they can be used on their own or over another glaze.  They are all oxide based and therefore will create fascinating new colors when overlapped with other glazes.  We find that they work exceptionally well overlapped with our 1100 series texture glazes as well as our 1500 series Nova Stoneware glazes.  These glazes will mature at cone 4-6.  Apply 1 thin coat to cone 03-05 bisque ware.

 

FLOATING STONEWARE GLAZES – 1431 to 1442

The name "Floating Glazes" was inspired by the idea we had while developing these colors that they should give the appearance of one color floating on top of another color. Eleven of  these colors are lead-free, non-toxic and food safe. The lone exception is 1439 that is above the non-toxic limit for copper. They are all glossy reactive type glazes that produce many surprising and beautiful effects. Similar to other reactive type glazes, the final appearance of the Shinos is dependent on firing temperature, glaze thickness and the composition of the clay body being used.  We have produced beautiful results on various clay bodies from white, to buff to red and even black clay. Also firing at cone 6 versus cone 5 produces interesting variations.

 

CELADON (SEMI-TRANSPARENT) GLAZES – 1461 to 1472

Our 12 Celadon glazes are semi-transparent, high gloss glazes that will show off detail work in your pieces by going darker where the glaze pools in areas of indentation. They are translucent enough to allow you to see decorative work, such as underglaze designs, through the glaze. Ten of  these colors are lead-free, non-toxic and food safe. The lone exceptions are 1468 that is above the non-toxic limit for copper and 1472 that is above the limit for zinc. Semi-transparent glazes are notoriously prone to crazing. After some early issues with crazing we have adjusted our formulations so that you will not experience cracks in these glazes when used with the vast majority of commercial clay bodies.

 

NOVA STONEWARE GLAZES - 1500 to 1544

GENERAL The NOVA line of Stoneware Glazes consists of a selection of 30 cone 4/6 glazes available wet or dry in 1, 3 and  5 gallon buckets for dipping or in pint jars and gallon jugs for brushing. In dry form the buckets contain 7 1/2 lb, 22.5 lb. and 37.5 lb.  of dry glaze, respectively.  The main difference between the NOVA series and our 1100 series Stoneware Glazes is that the NOVA series glazes are formulated mainly from raw materials, such as kaolin, feldspar, wollastonite, oxides, etc. rather than the frits and ceramic stains that we use in the 1100 series. There are two significant benefits from using raw materials. First, they are less expensive which leads to more economical pricing. Second, raw materials are less dense than frits and stains which makes them easier to suspend in water.  The NOVA glazes are much more tolerant to being mixed with excessive water and will very rarely settle out in the way that the 1100 series can. However, it is still important to follow the mixing instructions that come with the dry glaze in order to have the glaze set up correctly for dipping.

 

Remove the lid and add water to the powdered glaze. For a 7.5 lb. pail add 4 pints (0.5 gallons), for a 25 lb. pail add 14 pints (1.75 gallons) and for a 40 lb. pail add 22 pints (2.75 gallons) of water to the pail.  Close the lid firmly and shake vigorously until all the powder has been wetted. Remove the lid. Then, using a proper mechanical mixer such as a jiffy mixer or a drill with a mixing attachment, thoroughly mix the glaze. Add up to a pint more of water, as you are mixing, to achieve your desired viscosity. After mixing it is preferable to strain glaze through an 80 mesh sieve. NOVA dipping glazes can be thinned with water. For detailed suggestions regarding how to adjust the set up of a dipping glaze please see the section in our Product Guide titled “Guide to Adjusting Glaze Viscosity and Density”

CLEAR GLAZES

1500 Clear Gloss Glaze (cone 4/6) – An excellent lead free, A/P non-toxic, dinnerware safe stoneware clear gloss glaze which is compatible with most commercially available underglazes. 

1501 Clear Crackle Glaze (cone 4/6) – A lead free, A/P non-toxic clear crackle glaze. After the piece has been removed from the kiln and allowed to cool the crackle pattern will form. A colored dye can be rubbed into the surface to emphasize the crackle pattern. Crackle glazes are considered not dinnerware safe due to the possibility of bacteria growth in the cracks.

1502.                     Clear Satin Glaze (cone 4/6) – Also lead free, A/P non-toxic, dinnerware safe and suitable for use over underglaze decoration. Satin clear glazes are not as translucent as clear gloss glazes and will tend to mute the appearance of underglaze decoration somewhat.

 

PLAIN COLORED GLAZES

Opaque Gloss Glazes – 1510, 1511, 1512, 1513, 1514 and 1515 – A selection of lead free, non-toxic, dinnerware safe stoneware glazes.

Opaque Satin Glazes –1540 and 1541– Smooth satin finish on these stoneware glazes which are also lead free, non-toxic and dinnerware safe.

 

REACTIVE GLAZES

Soft Reactive Glazes – 1520, 1521, 1522, 1523, 1524 and 1525 – Are all lead free and dinnerware safe.  These glazes all have a Health Label due to the presence of zinc in concentrations above the non-toxic limit. They are formulated to produce reactions during the firing cycle which give beautiful effects, particularly when applied in a thin layer underneath one of the Regular Reactive Glazes listed below. Please be aware that these glazes are more fluid and may run particularly when glazes are applied thickly.  Be more careful when using them on vertical surfaces. Use a thinner coating of glaze towards the bottom of the piece.

 

Regular Reactive Glazes – 1530, 1531, 1532, 1533, 1534, 1535, 1536, 1537, 1538, 1539, 1542, 1543 & 1544 – Are all lead free and dinnerware safe. Colors 1531, 1532, 1533, 1542 & 1544 are also A/P non-toxic. The remaining colors 1530, 1534, 1535, 1536, 1537, 1538 & 1539 have a Health Label due to the presence of manganese or copper or zinc. The final appearance of the glaze is dependent on firing temperature, glaze thickness and the composition of the clay body being used.  The same glaze can look quite different on different clay bodies.  The samples shown on the color charts are one dipping application of glaze fired to cone 5 in an electric kiln on a white clay body.  Different results may be experienced in reduction.

 

 

 

 

DECORATING COLORS

 

 

 

GLAZE CRYSTALS – CR01 to CR12

CR01 – CR12 Our Glaze Crystals are all lead-free and dinnerware safe when fired to a minimum cone 06. These crystals are very versatile and can be used successfully from cone 06 to cone 6.  They can be used with any glaze in this firing range to produce a great variety of different appearances. They can also be intermixed. Many beautiful combinations of two or more colored crystals on your choice of glaze background can be used. Please be aware that, due to varying expansion coefficients, some of these crystals may cause crazing on some glazes, particularly at stoneware temperatures. Please test for suitability in your application.

 

The crystals can be dropped or placed onto the final coat of glaze while the surface is still wet allowing the crystals to stick to the glaze. If the glaze dries out before all the crystals are applied, try spraying a little water on the glaze surface to help the crystals stick to it. In this way you can position the crystals where you want them on the piece. Alternatively, you can pour some crystals onto a piece of paper and dip your brush in the crystals as you are applying your final coat of glaze. These crystals may run a lot when fired up to cone 5 or 6 and should not be applied near the bottom of the piece for stoneware firings. This is not of concern at cone 06 or 05 as they will not move and spread nearly as much at lower temperatures. These crystals can also be mixed into a liquid glaze to be brushed on. However, crystals are large, heavy particles that tend to settle to the bottom of the container. Therefore, you will need to stir the glaze frequently if you choose to mix the crystals into a glaze.

 

RAISED ACCENT COLORS - RAC 0 to RAC 20

RAC 0-20 Raised Accent Colors (RAC’s) are slip-based colors (or engobes) which are available in 2 oz. applicator pens with a hard plastic tip for decorating on greenware or bisque.  They create embossed or raised designs on ceramic decorative work because the colors do not flatten out when they are fired.  Some colors are also available in 16 oz. squeeze bottles, which can be used to refill the pens or which can be used for other slip trailing applications.

PREPARATION - Before using the pen unscrew the black plastic cap and remove the liner from inside the cap. After screwing the cap back on the bottle, take off the clear plastic cover. The black plastic tip has a small hole approximately the diameter of a standard paper clip which can be used without modifications. 

HOW TO USE THE PEN - Before using the pen on your ceramic piece, first shake it vigorously and then test the flow by squeezing some of the slip out on a piece of paper. This should remove any air bubbles and establish a consistent flow of slip. If the slip has become too thick to flow properly, unscrew the black plastic cap and pour 2 or 3 drops of water into the bottle. Then replace the cap, shake and test again. When you are using the pen on a piece of greenware or bisque, hold the pen tip in contact with the piece.  It makes it easier to control the writing than if you hold the tip above the piece and drop the color onto the surface.  Also the slight scratching of the surface improves the bonding between the slip and the piece.  Do not hold the pen directly vertical while writing because this leaves no gap for the liquid to flow out of.  Instead hold the pen at an angle to the surface so that there is an opening for the slip to flow through.  Because the slip is quite thick you need to write more slowly than with a pen. This allows time for the liquid to flow through the tip.  You can create a large variety of line thicknesses by varying finger pressure and writing speed.  The harder you press and the slower you write the thicker your lines will be.

+ HOW TO KEEP THE TIP FROM PLUGGING - The liquid in an RAC pen is a type of colored slip and like any other slip it will harden in the pen tip unless you do something to prevent it. We recommend using a standard paper clip as a reamer since the hole in the plastic tip is just the right size for a paper clip.  It is helpful to leave the paper clip in the tip when the pen is not in use to prevent clogging.  When you are finished using the pen for the day the clear plastic cover should be replaced on the bottle to prevent the pen from drying out.  

HOW TO REFILL AN RAC PEN - In order to refill an RAC pen, you first unscrew the black plastic cap from the top of the bottle. Then using the 16 ounce RAC refill bottles you squeeze more of the same color slip into the bottle. 

 

MISCELLANEOUS PRODUCTS

 

GLAZE ADDITIVES - 1070 to 1074

BRUSHING MEDIA

1070. Our Brushing Media is a simple gum solution that can be added to any glaze, underglaze, etc. to improve its brushing characteristics. The basic effect of adding Brushing Media to a product is to lengthen the drying time after the glaze is brushed on the piece. It also assists in glaze suspension. Brushing Media can be used if you are trying to convert a dipping or spraying glaze into a brushing glaze. The amount of Brushing Media that should be added depends on the particular products you are modifying. A rough guideline is to add about 5% of the volume of the product being adjusted. Keep in mind that the Brushing Media is largely water and that adding significant quantities of it will dilute the strength of the original product. 

SUSPENDER

1071. Our Suspender is a solution of bentonite in water. It can be used to help suspend glazes that have become thin and may be subject to settling out. The amount of Suspender that should be added depends on the particular circumstances. A rough guideline is to add 5 to 10% of the volume of the product being adjusted, as a starting point. Keep in mind that Suspender has a strong tendency to gel and that the more you add the thicker or more viscous a glaze will become.

GLAZE THINNER

1072. Our Glaze Thinner is a solution of sodium hexametaphosphate in water. It is a very powerful thinning agent and should be added sparingly. For example, 2 or 3 drops in a 4 oz. jar should have a significant effect. It is a useful product for thinning glazes, underglazes, etc. particularly when you do not want to dilute the strength of the glaze by adding water.

MENDING PASTE

1074 This is a mending paste that can be used to attach two pieces of bisque together. It does not develop its strength until after it is fired.